Sculpture "Boy with Suitcase", bronze New
Sculpture "Boy with Suitcase", bronze New
Quick info
limited, 12 copies | numbered | signed | bronze | hand-painted | size 40 x 13.5 x 10.5 cm (h/w/d) | weight approx. 3.4 kg
Detailed description
Sculpture "Boy with Suitcase", bronze
Bronze sculpture, hand-painted. Limited edition of 12 copies. Hand-signed and numbered. Size 40 x 13.5 x 10.5 cm (h/w/d). Weight approx. 3.4 kg.
About Peter Hermann
Peter Hermann (born in 1962 in Bietigheim, Germany) initially completed an apprenticeship as a stonemason, which imparted traditional sculpting techniques to him. During his studies at the University of the Arts in Bremen, Germany, he developed a deep appreciation for working freely. Due to the many possibilities, he discovered wood and bronze as the materials for his works.
Hermann dedicates his sculptures to the human image. These sculptures have a steadfast, grounded character and are often accompanied by various animals, such as fish, owls or everyday objects. The figures themselves are reduced to the essentials, devoid of grand gestures; they gaze into the world, yet their gaze is simultaneously directed inwards. This gives them a quiet presence and something particularly dignified.
An alloy of copper with other metals (especially with tin) used since ancient times.
When casting bronze, the artist usually applies the lost-wax technique which is dating back more than 5000 years. It's the best, but also the most complex method of producing sculptures.
First, the artist forms a model of his sculpture. It is embedded in a liquid silicone rubber mass. Once the material has solidified, the model is cut out. The liquid wax is poured into the negative mould. After cooling down, the wax cast is removed from the mould, provided with sprues and dipped into ceramic mass. The ceramic mass is hardened in a kiln, whereby the wax flows out (lost mould).
Now we finally have the negative form, into which the 1400° C hot molten bronze is poured. After the bronze had cooled down, the ceramic shell is broken off and the sculpture is revealed.
Now the sprues are removed, the surfaces are polished, patinated and numbered by the artist himself or, to his specifications, by a specialist. Thus, each casting becomes an original work.
For lower-quality bronze castings, the sand casting method is often used which, however, does not achieve the results of a more complex lost-wax technique in terms of surface characteristics and quality.
A plastic work of sculptural art made of wood, stone, ivory, bronze or other metals.
While sculptures from wood, ivory or stone are made directly from the block of material, in bronze casting a working model is prepared at first. Usually, it is made of clay or other easily mouldable materials.
The prime time of sculpture after the Greek and Roman antiquity was the Renaissance. Impressionism gave a new impulse to the sculptural arts. Contemporary artists such as Jorg Immendorf, Andora, and Markus Lupertz also enriched sculptures with outstanding works.