Picture "German Beauty I" (2018) (Unique piece)
Picture "German Beauty I" (2018) (Unique piece)
Quick info
unique piece | signed | oil on canvas | unframed | size 140 x 140 cm
Detailed description
Picture "German Beauty I" (2018) (Unique piece)
Oil on canvas, 2018. Signed. Unframed. Size stretched on stretcher frame 140 x 140 cm.
About Simone Opdahl
"It is impulses from nature that touch me, that I process in the painting process and locate in the pictorial space. What happens during painting: corrections, overpainting, destruction, and renewal, remains a witness in the picture. I prefer a spontaneous way of painting, intentionally leaving traces that remain visible like quotations of a permanent process (...)."
Simone Opdahl paints landscapes that are on the border of abstraction. As if through a fog, we see imagined mountain ranges roaming past us, the depictions of animals appearing between textures. Opdahl gives her canvases a relief-like feel, light and shadow show movement within the picture.
The artist studied at the Kunstgewerbeschule in Zurich and at the Ecole des Beaux-Arts in Lausanne. she lives and works in Berg am Starnberger See.
Term for paintings and sculptures that are detached from the representational depiction, which spread throughout the entire western and parts of the eastern world from around 1910 onwards in ever new stylistic variations. The Russian painter Wassily Kandinsky, born in 1866, is considered the founder of abstract art. Other important artists of abstract art are K.S. Malewitsch, Piet Mondrian, and others.
A one-of-a-kind or unique piece is a work of art that has been personally created by the artist. It exists only once due to the type of production (oil painting, watercolours, drawing, etc.).
In addition to the classic unique pieces, there exist the so-called "serial unique pieces". They present a series of works with the same colour, motif and technique, manually prepared by the same artist. The serial unique pieces are rooted in "serial art", a type of modern art, that aims to create an aesthetic effect through series, repetitions and variations of the same objects or themes or a system of constant and variable elements or principles.
In the history of arts, the starting point of this trend was the work "Les Meules" (1890/1891) by Claude Monet, in which for the first time a series was created that went beyond a mere group of works. The other artists, who addressed to the serial art, include Claude Monet, Piet Mondrian and above all Gerhard Richter.