Caspar David Friedrich:
Picture "The Stages of Life" (1835), framed
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Picture "The Stages of Life" (1835), framed
Caspar David Friedrich:
Picture "The Stages of Life" (1835), framed

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limited, 499 copies | reproduction, Giclée print on canvas | on stretcher frame | framed | size 49 x 59 cm (h/w)

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Product no. IN-687374.R1

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Picture "The Stages of Life" (1835), framed
Caspar David Friedrich: Picture "The Stages of Life" (183...

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Picture "The Stages of Life" (1835), framed

The painting "The Stages of Life" from 1835 is a tender allegory of life and family: a family scene including Friedrich, his wife and his two children on a jetty by the Baltic Sea coast. The artist with grey hair approaches the scene from the front and gazes out to sea. There are 5 ships on the water, one for each of the persons depicted: There are 2 small sloops on the shore, symbolising the children. The most beautiful ship in the middle symbolises the woman of the house. Further out there are the ships representing the artist himself, already fading on the horizon in the evening glow.
Original: Oil on canvas, Museum der Bildenden Künste, Leipzig.

High-quality reproduction using the Fine Art Giclée process transferred onto 100% cotton artist's canvas and mounted on a wooden stretcher frame. The canvas structure can be felt and seen. Relief-like brush structures are applied true to the original by hand. The elegant solid wood model frame rounds off the appearance perfectly. Limited edition 499 copies. Stretcher frame size 40 x 51 cm (h/w). Framed with a golden solid wood classic framing. Size 49 x 59 cm (h/w).

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Portrait of the artist Caspar David Friedrich

About Caspar David Friedrich


Caspar David Friedrich was the most important German painter of the Romantic period. Even his person embodied the typical Romantic: he was rather introverted, close to nature and religious, he saw nature as a mirror of human feelings. In his meticulously painted canvases, Friedrich achieved incomparable metaphysical transparency.

"The painter should paint not only what he has in front of him, but also what he sees inside himself." With this recommendation to his fellow painters, Caspar David Friedrich explained the driving force and meaning of his paintings.

Landscape depiction holds a leading position in his oeuvre. Friedrich went on long hikes through the mountains and along the coast with friends. He captured human beings in their smallness in relation to the immense power of nature. The lonely figures look longingly into vast landscapes with distant horizons. They often turn their backs to the viewer so that he can put himself in their place. Using symbolic nature metaphors such as the moon as the universe and tree stumps as an indication of transience, he created contemplative romantic feelings and religious sentiments. Friedrich wanted his nature moods to provide insight into the human soul.

At the age of 24, after an academic education in Copenhagen, the young artist was drawn to Dresden. In the city along the Elbe, Friedrich and other painters, as well as poets such as Tieck and Schlegel, formed the centre of early Romanticism. The characteristic feature of Romanticism is the reciprocal effect of poetry and painting. Friedrich's landscapes are mirrors of feelings and seek to express visually what poetry achieves with words. "The depths of our spirit are unknown to us - the mysterious way leads inwards. Eternity with its worlds - the past and future - is in ourselves or nowhere." This is how the poet Novalis expressed himself on behalf of the early Romantics.