Glass picture "The Dance" (1898)
Glass picture "The Dance" (1898)
Quick info
reproduction on float glass | size 42 x 27 cm (h/w) | incl. mounting hardware
Detailed description
Glass picture "The Dance" (1898)
Great art in radiant expressiveness and blaze of colours by an outstanding representative of Art Nouveau. Glass picture from Mucha's series "The Four Arts". High-quality reproduction on float glass. Shipped with suspension device, wall and 12 mm spacer. Size 42 x 27 cm (h/w).
Producer: ars mundi Edition Max Büchner GmbH, Bödekerstraße 13, 30161 Hanover, Germany, [email protected]
Customer reviews
Sehr schöne Arbeit. Ist aber leider nur zur Wandaufhängung geeignet nicht für Fenster.
Alles gut angekommen, Qualität in Ordnung, keine Beanstandung.
About Alphonse Mucha
1860-1939
Alphonse Mucha was one of the most important grandmasters of Art Nouveau.
After his first steps as an autodidact, he studied in Munich and Vienna, from where he finally moved to Paris. There he developed his typical style full of symbols, delicate colours and decorative elements, which he liked to entwine around fairy-like young women with long, flowing hair. Due to his versatility, Mucha was practically overwhelmed with commissions and was soon regarded as one of the main representatives of Art Nouveau.
Alphonse Mucha achieved fame with the posters for the stage roles of Sarah Bernhardt. His speciality was calendar illustrations, but he also showed his art in stained glass windows, furniture, costumes...
The term Art Nouveau, or the German term Jugendstil (lit.: "Youth Style"), is the art epoch between 1890-1910. The name originates from the Munich-based magazine "Jugend" (Youth), founded in 1896. It was the German counterpart of Art Nouveau (France), internationally known as Modern Style (England) or Secession (Austria).
Art Nouveau spread across Europe, resulting in innumerable works, ranging from painting and applied arts to architecture. One of the requirements of Art Nouveau was the artistic design of everyday objects, aiming to merge beauty with practicality. The desired unity of the artistic ability could only be achieved through individually influenced design, making Art Nouveau a precursor of modernism. The defining characteristic of Art Nouveau is its linear, often asymmetrical ornamentation. The models are particularly taken from nature and flora.
Major Art Nouveau centres were formed in Munich, Darmstadt, Brussels, Paris and Nancy (Glass Art by Emile Gallé). The Viennese architecture of that time was determined by Otto Wagner and J. Hoffmann. Gustav Klimt created paintings that gave sensual shape to the spirit of Art Nouveau.