Sculpture "Veil Dancer", bronze
Sculpture "Veil Dancer", bronze
Quick info
ars mundi Exclusive Edition | limited, 99 copies | numbered | signed | silver-plated cast metal | size 11 x 29 x 5 cm (h/w/d) | weight 1.25 kg
Detailed description
Sculpture "Veil Dancer", bronze
Stauch's study of space, movement and the illusion of weightlessness is at the same time a homage to Loïe Fuller, who revolutionised dance with her "Serpentine Dance" in 1890.
ars mundi Exclusive Edition in fine bronze, cast by hand using the Lost-Wax-Process. Finely patinated and polished. Edition of only 49 copies, numbered and signed. Size 24.5 x 14 x 29 cm (h/w/d). Weight 1.75 kg.
About Birgit Stauch
Birgit Stauch was born with a fascination for form and design. She was the daughter of a master sculptor and stonemason and thus, grew up surrounded by sculptures.
Initially trained as a form designer, she also devoted herself to sculpture and took lessons from renowned artists such as Arno Breker and Richard Alexander Agricola. Stauch worked for many years as a sculptor and designer in an art foundry and was also a freelance artist. In 1996, she successfully set up her own business.
An alloy of copper with other metals (especially with tin) used since ancient times.
When casting bronze, the artist usually applies the lost-wax technique which is dating back more than 5000 years. It's the best, but also the most complex method of producing sculptures.
First, the artist forms a model of his sculpture. It is embedded in a liquid silicone rubber mass. Once the material has solidified, the model is cut out. The liquid wax is poured into the negative mould. After cooling down, the wax cast is removed from the mould, provided with sprues and dipped into ceramic mass. The ceramic mass is hardened in a kiln, whereby the wax flows out (lost mould).
Now we finally have the negative form, into which the 1400° C hot molten bronze is poured. After the bronze had cooled down, the ceramic shell is broken off and the sculpture is revealed.
Now the sprues are removed, the surfaces are polished, patinated and numbered by the artist himself or, to his specifications, by a specialist. Thus, each casting becomes an original work.
For lower-quality bronze castings, the sand casting method is often used which, however, does not achieve the results of a more complex lost-wax technique in terms of surface characteristics and quality.
Graphic or sculpture edition that was initiated by ars mundi and is available only at ars mundi or at distribution partners licensed by ars mundi.
Term for an art object (sculpture, installation), which is produced in multiple copies in a limited and numbered edition according to the artist‘s will.
Artist's multiples have been called the most accessible and affordable art on the market.
A plastic work of sculptural art made of wood, stone, ivory, bronze or other metals.
While sculptures from wood, ivory or stone are made directly from the block of material, in bronze casting a working model is prepared at first. Usually, it is made of clay or other easily mouldable materials.
The prime time of sculpture after the Greek and Roman antiquity was the Renaissance. Impressionism gave a new impulse to the sculptural arts. Contemporary artists such as Jorg Immendorf, Andora, and Markus Lupertz also enriched sculptures with outstanding works.