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Claude Monet:
Picture "The Manneporte at Étretat" (1886), white and golden framed version
Picture "The Manneporte at Étretat" (1886), white and golden framed version by Claude Monet
Picture "The Manneporte at Étretat" (1886), white and golden framed version by Claude Monet
Picture "The Manneporte at Étretat" (1886), white and golden framed version by Claude Monet
Picture "The Manneporte at Étretat" (1886), white and golden framed version by Claude Monet
Picture "The Manneporte at Étretat" (1886), white and golden framed version by Claude Monet
Picture "The Manneporte at Étretat" (1886), white and golden framed version by Claude Monet
Picture "The Manneporte at Étretat" (1886), white and golden framed version by Claude Monet
Picture "The Manneporte at Étretat" (1886), white and golden framed version by Claude Monet
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Picture "The Manneporte at Étretat" (1886), white and golden framed version
Claude Monet:
Picture "The Manneporte at Étretat" (1886), white and golden framed version

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ars mundi Exclusive Edition | limited, 199 copies | numbered certificate | reproduction, Giclée print on canvas | on stretcher frame | framed | size 70 x 58 cm (h/w)

€609.83

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Product no. IN-958169

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Picture "The Manneporte at Étretat" (1886), white and golden framed version
Claude Monet: Picture "The Manneporte at Étretat" (1886),...
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Detailed description

Picture "The Manneporte at Étretat" (1886), white and golden framed version

The French masterpieces of the 19th century from the Metropolitan Museum of Art in New York as special guests in Berlin, Neue Nationalgalerie, from 1 June to 7 October 2007! Accompanying this exhibition, the most outstanding paintings of the exhibition were published in a limited edition of only 199 copies each: The high-quality museum reproductions were worked by hand onto artists' canvas and stretched on stretcher frames. The canvas structure is tangible and visible. Relief-like brush structures are intricately applied by hand. Exquisite solid wood framing underlines the exclusive appearance. With numbered certificate of limitation on the back.

The art of Claude Monet is the epitome of Impressionism. During his long life as a painter, he was tirelessly searching for new ways to depict the variability of light and colour in many various atmospheric variations and at different times of the day. His favourite motifs included the coastal landscapes of France - such as the striking cliffs of Étretat in Normandy.
Original: Oil on canvas, The Metropolitan Museum of Art, New York.

High-quality reproduction using the Fine Art Giclée process process, hand-pulled on canvas and stretched on a stretcher frame. The linen structure emphasises the painting-like effect of the object. Framed in a white and golden solid wood frame. Limited edition of 199 copies, numbered on the back and with certificate. Size 70 x 58 cm (h/w). ars mundi Exclusive Edition.

Producer: ars mundi Edition Max Büchner GmbH, Bödekerstraße 13, 30161 Hanover, Germany, [email protected]

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Average rating of 5 out of 5 stars

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Average rating of 5 out of 5 stars

Frame variant: Framing 1

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A historical black-and-white photograph of the painter Claude Monet in a dark suit, sporting a very long full beard.

About Claude Monet

1840-1926

The art of Claude Monet is the epitome of Impressionism. During his long life as a painter, he was tirelessly searching for new ways to depict the variability of light and colour in many various atmospheric variations and at different times of the day.

Monet was born in Paris, but grew up in Le Havre, on the Normandy coast, where his father ran a small grocery shop. He made his early artistic attempts with caricatures but then switched to open-air painting. Light pastel tones found their way onto his canvases. His paintings were repeatedly rejected by the official Paris Salon, but Monet and his friends Auguste Renoir and Alfred Sisley were not discouraged. On their joint excursions to Fontainebleau, they created magnificent fresh paintings in the open air that left the strict academic rules further and further behind.

However, severe financial crises hit Monet and his pregnant beloved Camille. During the Franco-Prussian War, Monet fled to London with his young family. After the war, they settled in Argenteuil. This small town outside Paris, picturesquely situated along the Seine, became the centre of attraction for a whole series of Impressionist painters: Edouard Manet, Gustave Caillebotte, Camille Pissarro, Auguste Renoir and Alfred Sisley met there to capture their impressions on canvas. In the group's first independent exhibition, a painting by Monet entitled "Impression. Sunrise" gave the art movement its name.

After Camille's death, Monet moved to Giverny with his second wife Alice. Here he was able to realise his lifelong dream of having his own garden, designed by himself: The flowering garden with its Japanese bridges and ponds full of water lilies inspired Monet constantly to create new, ever larger paintings showing the changing plant life as an overwhelming decorative harmony of nature.

This estate, which was bequeathed by Monet's son to the Academié des Beaux-Art in 1966 and is open to the public through the "Claude Monet Foundation" since 1980, was an inexhaustible source of inspiration for him. Today, the garden in Giverny is a destination valued many art lovers. Anyone who visits it feels immediately transported into the artist's pictorial world. In spring, colourful blossoms are all over the place, and while looking at the real water lily ponds that Monet painted over and over again, visitors are amazed at how precisely he captured the scenery, despite all his artistic idiosyncrasies. "On my garden I work continuously and with love, most of all I need flowers, always, always. My heart is always in Giverny. A separation from Giverny would hit me hard ... never again would I find such a beautiful place." And he never had to separate with his garden; Monet died in his beloved Giverny on 5 December 1926.

Monet has been called the inventor of colourful dreams beyond the visible. But he was much more, always seeking to realise his idea of painting in the open air - en plein air. For his painting, the decisive factor was always how he sees, not what he sees.

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Graphic or sculpture edition that was initiated by ars mundi and is available only at ars mundi or at distribution partners licensed by ars mundi.

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Giclée = derived from the French verb gicler "to squirt, to spray".

The Giclée method is a digital printing process. It is a high-resolution, large-format print produced with an inkjet printer using special different-coloured dye- or pigment-based inks (usually six to twelve). The inks are lightfast, meaning they are resistant to harmful UV light. They provide a high level of nuance, contrast, and saturation.

The Giclée process is suitable for art canvases, handmade paper and watercolour paper as well as silk.

The style of Impressionism, which emerged in French painting around 1870, owes its name to Claude Monet's landscape 'Impression, Soleil Levant'. After initial rejection, it began a veritable triumphal procession.

Painters such as Claude Monet, Edgar Degas, Edouard Manet, Auguste Renoir and others created motifs from everyday life, urban and landscape scenes in bright, natural light.

Impressionism can be seen as a reaction to academic painting. Rather than emphasizing content with a structured composition, it focused on the subject as it appears in the moment, often in a seemingly random snapshot. The reality was seen in all its variety of colours in natural lighting. Outdoor painting replaced studio painting.

Through the brightening of the palette and the dissolution of firm contours, a new approach to colour emerged. In many cases, the colours were no longer mixed on the palette but placed side by side on the canvas, so that the final impression emerged in the eye of the viewer with a certain distance. In "Pointillism", (with painters such as Georges Seurat or Paul Signac), this principle was taken to the extreme.

Outside France, Impressionism was taken up by painters such as Max Slevogt, Max Liebermann and Lovis Corinth in Germany, and by James A. M. Whistler in the United States.

However, Impressionism was only expressed to a limited extent in the art of sculpture. In the works of Auguste Rodin, who is considered one of the main representatives, a dissolution of surfaces is evident, in which the play of light and shadow is included in the artistic expression. Degas and Renoir created sculptures as well.

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The object in the size ratio of 1.70 m

70 x 58 cm

70 x 58 cm

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IN-958169 Picture "The Manneporte at Étretat" (1886), white and golden framed version https://www.arsmundi.de/en/claude-monet-picture-the-manneporte-at-etretat-1886-white-and-golden-framed-version-958169/ https://www.arsmundi.de/thumbnails/eb/1c/42/1773742872/958169_1_320x320.jpg https://www.arsmundi.de/thumbnails/eb/1c/42/1773742872/958169_1_320x320.jpg InStock 609.83 EUR 958169 00000000000000000000000999905020 Framing 2 Giclée Special editions|Pictures Bilder 19th century/ca. 1900 Landscape 19th century/ca. 1900 Giclée 19th Cent. - Impressionism|19th century / around 1900 Landscape Landscape Pictures Monet, Claude Giclée Landschaft {"extensions":[],"displayParent":null,"mainVariantId":"00000000000000000000000999488886","configuratorGroupConfig":null,"displayCheapestVariant":null,"displayMainVariant":null} Claude Monet 0 0 1 1 kunstdruck|kunstdrucke|frankreich|normandie|felsen Monet, Claude 0 1 1 0 0 0 0 1 2026-03-17 00:00:00 532 500 500 0 IN-488072|IN-958169 0 /LP /LP/French Impressionist painters /LP/Art Prints by Famous Artists /Pictures /Pictures/Discover Images /Pictures/Discover Images/Limited Editions /Service /Service/Guide /Artists /Artists/Detailseite (Produktlisting) /Service/Guide/Works of Art from Renowned Museums /Recommendations /Recommendations/Gift Ideas /Recommendations/Gift Ideas/Available for Immediate Delivery /Pictures/Techniques /Pictures/Motifs /Pictures/Motifs/Landscape /Service/Guide/Works of Art from Renowned Museums/The Metropolitan Museum of Art, New York /Pictures/Epochs /Pictures/Techniques/Giclée /LP/KT /LP/KT/Winter Catalogue /Pictures/Discover Images/All Pictures /LP/French artists /intern /LP/Objects Available for Immediate Delivery /Pictures/Epochs/Impressionism /Pictures/Discover Images/Exclusive Editions /intern/temp - Winterkatalog /intern/Produkte /LP/Alle Objekte 019ce1d2777b7537bc1e5b9f358ba5f3 019fdb1063997e1588c98f5f4c8a2445 01a02365b7067144a3ee4da39ae93f83 01a023c7ef117de8bb9324a52d83d581 01a03440599370709351820f53398e26 110002d4ac55449bb1be0348d71f2396 185b411b7151469a981b743b38d39c03 1f041a79f2b6403b8eae5a6987432c47 3d827f4255cb437ebb1c730e93118388 40aa17d90d294482839b164bf0a93a02 4881937585c84000a559222d8866108a 500073a65e9c4bbaa6a5a153bf400f6f 5ee7d22ed1da476fa00425f0550481fd 6316309f502147a288172856026d5fc8 6348b526c7b946cbac3a6bf68dd53a66 6b559e0bb5324099bc41663fdbcc80e5 6e3682df947542d3a40b52c51d80c83c 88dfe7ddac2a4a439c55836deca17f86 8c94174ae06c44219b6c2134d0eb3401 930ef9da84e8423ca0cf519cb8a580b1 96ed9bdfc8f2485c87a9dd1db8deb05b 983bd433d5ed47a88825d6f413456cae 9c1cbd6ad7bd470d9770db0c496c7a56 ad8ad6e054aa442da969bf7765100bec b6d0490f8a9b4a57831647ea368b66b4 b9c8c829dac24c79baf6cc06347fa56b d766df25bb924e2f9c4006891fb54abe db6148ea99ca4fa0b1aa92397c1c4711 e60e1b52fc834568949409e103f2bec6 f17d6493f0f744ecb31b3a2d1a96eef6 fb89ca270db74440b1ca873b20879c81 fda632c426c24bf8aebfb826dc028741 fda632c426c24bf8aebfb826dc028741 6b559e0bb5324099bc41663fdbcc80e5 110002d4ac55449bb1be0348d71f2396 01a02365b7067144a3ee4da39ae93f83 ad8ad6e054aa442da969bf7765100bec db6148ea99ca4fa0b1aa92397c1c4711 01a03440599370709351820f53398e26 9c1cbd6ad7bd470d9770db0c496c7a56 983bd433d5ed47a88825d6f413456cae 6316309f502147a288172856026d5fc8 1f041a79f2b6403b8eae5a6987432c47 40aa17d90d294482839b164bf0a93a02 930ef9da84e8423ca0cf519cb8a580b1 5ee7d22ed1da476fa00425f0550481fd 96ed9bdfc8f2485c87a9dd1db8deb05b Claude Monet The French masterpieces of the 19th century from the Metropolitan Museum of Art in New York as special guests in Berlin, Neue Nationalgalerie, from 1 June to 7 October 2007! Accompanying this exhibition, the most outstanding paintings of the exhibition were published in a limited edition of only 199 copies each: The high-quality museum reproductions were worked by hand onto artists' canvas and stretched on stretcher frames. The canvas structure is tangible and visible. Relief-like brush structures are intricately applied by hand. Exquisite solid wood framing underlines the exclusive appearance. With numbered certificate of limitation on the back. The art of Claude Monet is the epitome of Impressionism. During his long life as a painter, he was tirelessly searching for new ways to depict the variability of light and colour in many various atmospheric variations and at different times of the day. His favourite motifs included the coastal landscapes of France - such as the striking cliffs of Étretat in Normandy. Original: Oil on canvas, The Metropolitan Museum of Art, New York. High-quality reproduction using the Fine Art Giclée process process, hand-pulled on canvas and stretched on a stretcher frame. The linen structure emphasises the painting-like effect of the object. Framed in a white and golden solid wood frame. Limited edition of 199 copies, numbered on the back and with certificate. Size 70 x 58 cm (h/w). ars mundi Exclusive Edition. 609.83 ars mundi Exclusive Edition | limited, 199 copies | numbered certificate | reproduction, Giclée print on canvas | on stretcher frame | framed | size 70 x 58 cm (h/w) 5 https://www.arsmundi.de/media/88/13/35/1676903152/488072_2.jpg?ts=1782828483