Picture "Jeanne à l'ombrelle, Cavalière" (1905/1906), white and golden framed version
Picture "Jeanne à l'ombrelle, Cavalière" (1905/1906), white and golden framed version
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ars mundi Exclusive Edition | limited, 980 copies | numbered | certificate | reproduction, Giclée print on canvas | on stretcher frame | framed | size 68 x 56 cm (h/w)
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Picture "Jeanne à l'ombrelle, Cavalière" (1905/1906), white and golden framed version
Henri Manguin found his inspiration mainly along the Côte d'Azur in the village of Cavalière. He gave his depictions of the landscape a lively expression through a very special muse: his wife Jeanne, whom he painted in numerous motifs.
Original: 1905/1906, oil on canvas, 61 x 50 cm, Kunsthalle Bielefeld.
Edition transferred directly onto artist's canvas using the Fine Art Giclée process and stretched onto a stretcher frame. Limited edition of 980 copies, numbered, with certificate. Framed in white and golden solid wood frame. Size 68 x 56 cm (h/w). ars mundi Exclusive Edition.
Producer: ars mundi Edition Max Büchner GmbH, Bödekerstraße 13, 30161 Hanover, Germany, [email protected]
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Customised picture frame
Frame configurator
Customised picture frame
About Henri Manguin
Henri Manguin (1874-1949) created a new understanding of pictorial expression with his expressive paintings. His works are classified as Fauvism – a short-term art movement at the beginning of the 20th century whose roots came from Impressionism. However, Fauvism aimed to break away from the impressionistic. And to counteract the transience of Impressionist paintings with strong colours and large-scale application of paint in order to give the work more expression and permanence.
The Fauvists (Henri Matisse for example) found popular motifs in southern France nature. The luminosity and unique aesthetics of the landscape fascinated the artists of their time. Manguin found his inspiration above all along the Côte d'Azur in the village of Cavalière. His landscape depictions were given a vivid expression by a very special muse: his wife Jeanne, whom he depicted in numerous motifs.
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Depiction of typical scenes from daily life in painting, with distinctions between rural, bourgeois, and courtly genres.
The genre reached its peak and immense popularity in Dutch paintings of the 17th century. In the 18th century, especially in France, the courtly and gallant painting became prominent, while in Germany, a more bourgeois character developed.
Giclée = derived from the French verb gicler "to squirt, to spray".
The Giclée method is a digital printing process. It is a high-resolution, large-format print produced with an inkjet printer using special different-coloured dye- or pigment-based inks (usually six to twelve). The inks are lightfast, meaning they are resistant to harmful UV light. They provide a high level of nuance, contrast, and saturation.
The Giclée process is suitable for art canvases, handmade paper and watercolour paper as well as silk.