Picture "Saint-Victoire, Aix-en-Provence N°1" (2025) (Original / Unique piece), on stretcher frame
Picture "Saint-Victoire, Aix-en-Provence N°1" (2025) (Original / Unique piece), on stretcher frame
Quick info
original painting | signed | acrylic on canvas | on stretcher frame | size 30 x 30 cm
Detailed description
Picture "Saint-Victoire, Aix-en-Provence N°1" (2025) (Original / Unique piece), on stretcher frame
Original painting 2025, signed by hand. Acrylic on canvas, stretched on stretcher frame. Stretcher frame size 30 x 30 cm.
Producer: ars mundi Edition Max Büchner GmbH, Bödekerstraße 13, 30161 Hanover, Germany, [email protected]
About Marie Deforche
Painting with Mediterranean flair: Marie Deforche takes us on a journey to summery Provence in her paintings.
Born in 1988, this French artist grew up in southern France and excels in perfectly reflecting the unique atmosphere of this region in her paintings.
She works with bright and vibrant colours, applying them in large areas, and plays with the contrasts of light and shadow. Deforche reduces her pictorial elements to their essential features, giving her works an elegant clarity. For her summery scenes, Deforche only needs a few objects. Besides the beach, the sea, and architecture, she often places women at the centre of her work, depicting them in moments of relaxation and tranquillity. Marie Deforche has developed a timeless painting style, where the warmth of Provence and the sense of vacation are immediately palpable.
A one-of-a-kind or unique piece is a work of art personally created by the artist. It exists only once due to the type of production (oil painting, watercolour, drawing, lost-wax sculpture etc.).
In addition to the classic unique pieces, there are also the so-called "serial unique pieces". They present a series of works with the same colour, motif and technique, manually prepared by the same artist. The serial unique pieces are rooted in "serial art", a genre of modern art that aims to create an aesthetic effect through series, repetitions, and variations of the same objects or themes or a system of constant and variable elements or principles.
The historical starting point is considered to be Claude Monet's "Les Meules" (1890/1891), where, for the first time, a series was created that went beyond a mere group of works. The other artists, who addressed to the serial art, include Claude Monet, Piet Mondrian and above all Gerhard Richter.