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Max Slevogt:
Picture "Parrot Man" (1901), white and golden framed version
Picture "Parrot Man" (1901), white and golden framed version by Max Slevogt
Picture "Parrot Man" (1901), white and golden framed version by Max Slevogt
Picture "Parrot Man" (1901), white and golden framed version by Max Slevogt
Picture "Parrot Man" (1901), white and golden framed version by Max Slevogt
Picture "Parrot Man" (1901), white and golden framed version by Max Slevogt
Picture "Parrot Man" (1901), white and golden framed version by Max Slevogt
Picture "Parrot Man" (1901), white and golden framed version by Max Slevogt
Picture "Parrot Man" (1901), white and golden framed version by Max Slevogt
Picture "Parrot Man" (1901), white and golden framed version by Max Slevogt
Picture "Parrot Man" (1901), white and golden framed version by Max Slevogt
Picture "Parrot Man" (1901), white and golden framed version by Max Slevogt
Picture "Parrot Man" (1901), white and golden framed version by Max Slevogt
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Picture "Parrot Man" (1901), white and golden framed version
Max Slevogt:
Picture "Parrot Man" (1901), white and golden framed version

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ars mundi Exclusive Edition | limited, 980 copies | numbered certificate | reproduction, Giclée print on canvas | on stretcher frame | framed | size 68 x 55 cm (h/w)

€682.18

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Product no. IN-906450

Delivery time: approx. 2 weeks

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Picture "Parrot Man" (1901), white and golden framed version
Max Slevogt: Picture "Parrot Man" (1901), white and golde...
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Detailed description

Picture "Parrot Man" (1901), white and golden framed version

Max Slevogt (1868-1932) is considered one of the great German Impressionists, alongside Lovis Corinth and Max Liebermann. But the categorisation must be taken with a grain of salt. This became clear in 2018, when a major exhibition at the Landesmuseum Hannover on the 150th anniversary of his birth presented the wide range of his work - as a painter, as a graphic artist, as an illustrator and as a stage designer. According to an article by Frank G. Kurzhals published in the German art magazine "Weltkunst", the exhibition finally showed him as an "equilibrist between styles" and as a representative of "an art that not only reproduces what is visible but also tries to make it visible". The work "Parrot Man" was also exhibited, it belongs to the Landesmuseum's collection.
Original: 1901, oil on canvas, size 81 x 61 cm (h/w), property of the City of Hanover.

Brilliant, authentic limited edition of 980 copies with a numbered certificate on the back. Fine Art Giclée on 100% cotton artist canvas, stretched on wooden stretcher frame. Framed in white and golden solid wood frame. Size 68 x 55 cm (h/w). ars mundi Exclusive Edition.

Producer: ars mundi Edition Max Büchner GmbH, Bödekerstraße 13, 30161 Hanover, Germany, [email protected]

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Depiction of typical scenes from daily life in painting, with distinctions between rural, bourgeois, and courtly genres.

The genre reached its peak and immense popularity in Dutch paintings of the 17th century. In the 18th century, especially in France, the courtly and gallant painting became prominent, while in Germany, a more bourgeois character developed.

Giclée = derived from the French verb gicler "to squirt, to spray".

The Giclée method is a digital printing process. It is a high-resolution, large-format print produced with an inkjet printer using special different-coloured dye- or pigment-based inks (usually six to twelve). The inks are lightfast, meaning they are resistant to harmful UV light. They provide a high level of nuance, contrast, and saturation.

The Giclée process is suitable for art canvases, handmade paper and watercolour paper as well as silk.

The style of Impressionism, which emerged in French painting around 1870, owes its name to Claude Monet's landscape 'Impression, Soleil Levant'. After initial rejection, it began a veritable triumphal procession.

Painters such as Claude Monet, Edgar Degas, Edouard Manet, Auguste Renoir and others created motifs from everyday life, urban and landscape scenes in bright, natural light.

Impressionism can be seen as a reaction to academic painting. Rather than emphasizing content with a structured composition, it focused on the subject as it appears in the moment, often in a seemingly random snapshot. The reality was seen in all its variety of colours in natural lighting. Outdoor painting replaced studio painting.

Through the brightening of the palette and the dissolution of firm contours, a new approach to colour emerged. In many cases, the colours were no longer mixed on the palette but placed side by side on the canvas, so that the final impression emerged in the eye of the viewer with a certain distance. In "Pointillism", (with painters such as Georges Seurat or Paul Signac), this principle was taken to the extreme.

Outside France, Impressionism was taken up by painters such as Max Slevogt, Max Liebermann and Lovis Corinth in Germany, and by James A. M. Whistler in the United States.

However, Impressionism was only expressed to a limited extent in the art of sculpture. In the works of Auguste Rodin, who is considered one of the main representatives, a dissolution of surfaces is evident, in which the play of light and shadow is included in the artistic expression. Degas and Renoir created sculptures as well.

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IN-906450 Picture "Parrot Man" (1901), white and golden framed version https://www.arsmundi.de/en/max-slevogt-picture-parrot-man-1901-white-and-golden-framed-version-906450/ https://www.arsmundi.de/thumbnails/04/b5/07/1608710318/906450_1_320x320.jpg https://www.arsmundi.de/thumbnails/04/b5/07/1608710318/906450_1_320x320.jpg InStock 682.18 EUR 906450 00000000000000000000000999875274 Framing 1 Giclée Special editions|Pictures Genreszenen other Genre scenes Bilder 19th century/ca. 1900 19th century/ca. 1900 Genre scenes Giclée 19th Cent. - Impressionism|19th century / around 1900 Pictures Slevogt, Max Giclée Genre Scene {"extensions":[],"displayParent":null,"mainVariantId":"00000000000000000000000999875274","configuratorGroupConfig":null,"displayCheapestVariant":null,"displayMainVariant":null} Max Slevogt 0 0 1 0 andere kunstdruck|kunstdrucke|mann|menschen|papagei|papageien Slevogt, Max 0 1 1 1 0 0 1 1 2020-06-10 00:00:00 250 250 250 0 IN-906450 1 /Pictures /Pictures/Discover Images /Pictures/Discover Images/Limited Editions /Service /Service/Guide /Artists /Artists/Detailseite (Produktlisting) /Pictures/Techniques /Pictures/Epochs /Pictures/Motifs /Pictures/Techniques/Giclée /Service/Guide/Museum Editions /LP /Service/Guide/Museum Editions/Landesmuseum Hannover /Pictures/Discover Images/All Pictures /intern /Pictures/Motifs/Genre Scene /Pictures/Epochs/Impressionism /Pictures/Discover Images/Exclusive Editions /intern/Produkte /LP/Alle Objekte 01a02365b7067144a3ee4da39ae93f83 01a023c7ef117de8bb9324a52d83d581 01a03440599370709351820f53398e26 110002d4ac55449bb1be0348d71f2396 185b411b7151469a981b743b38d39c03 40aa17d90d294482839b164bf0a93a02 5ee7d22ed1da476fa00425f0550481fd 6316309f502147a288172856026d5fc8 6348b526c7b946cbac3a6bf68dd53a66 65c2edce4a2146d99106749578cd35a1 6b559e0bb5324099bc41663fdbcc80e5 7f20723bac8d4f868769da61943327fd 88dfe7ddac2a4a439c55836deca17f86 96ed9bdfc8f2485c87a9dd1db8deb05b ad8ad6e054aa442da969bf7765100bec b6c18189e34743eb9753955a489d8b51 b9c8c829dac24c79baf6cc06347fa56b d766df25bb924e2f9c4006891fb54abe db6148ea99ca4fa0b1aa92397c1c4711 f17d6493f0f744ecb31b3a2d1a96eef6 fb89ca270db74440b1ca873b20879c81 fda632c426c24bf8aebfb826dc028741 fda632c426c24bf8aebfb826dc028741 110002d4ac55449bb1be0348d71f2396 01a02365b7067144a3ee4da39ae93f83 ad8ad6e054aa442da969bf7765100bec db6148ea99ca4fa0b1aa92397c1c4711 40aa17d90d294482839b164bf0a93a02 01a03440599370709351820f53398e26 65c2edce4a2146d99106749578cd35a1 6316309f502147a288172856026d5fc8 5ee7d22ed1da476fa00425f0550481fd 96ed9bdfc8f2485c87a9dd1db8deb05b 6b559e0bb5324099bc41663fdbcc80e5 Max Slevogt Max Slevogt (1868-1932) is considered one of the great German Impressionists, alongside Lovis Corinth and Max Liebermann. But the categorisation must be taken with a grain of salt. This became clear in 2018, when a major exhibition at the Landesmuseum Hannover on the 150th anniversary of his birth presented the wide range of his work - as a painter, as a graphic artist, as an illustrator and as a stage designer. According to an article by Frank G. Kurzhals published in the German art magazine "Weltkunst", the exhibition finally showed him as an "equilibrist between styles" and as a representative of "an art that not only reproduces what is visible but also tries to make it visible". The work "Parrot Man" was also exhibited, it belongs to the Landesmuseum's collection. Original: 1901, oil on canvas, size 81 x 61 cm (h/w), property of the City of Hanover. Brilliant, authentic limited edition of 980 copies with a numbered certificate on the back. Fine Art Giclée on 100% cotton artist canvas, stretched on wooden stretcher frame. Framed in white and golden solid wood frame. Size 68 x 55 cm (h/w). ars mundi Exclusive Edition. 682.18 ars mundi Exclusive Edition | limited, 980 copies | numbered certificate | reproduction, Giclée print on canvas | on stretcher frame | framed | size 68 x 55 cm (h/w) https://www.arsmundi.de/media/9f/8e/59/1676363493/906450_2.jpg?ts=1782825646 https://www.arsmundi.de/media/16/02/de/1689058624/906450_3.jpg?ts=1782825646