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Paul Cézanne:
Picture "The Bath" (1880-82), framed
Picture "The Bath" (1880-82), framed by Paul Cézanne
Picture "The Bath" (1880-82), framed by Paul Cézanne
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Picture "The Bath" (1880-82), framed
Paul Cézanne:
Picture "The Bath" (1880-82), framed

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reproduction on paper | framed | glazed | size 48.5 x 34 cm (h/w)

€142.64 % €186.05 (23.33% saved)

incl. tax plus Shipping

Product no. IN-945554.R1

Delivery time: Immediately deliverable

Picture "The Bath" (1880-82), framed
Paul Cézanne: Picture "The Bath" (1880-82), framed
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Detailed description

Picture "The Bath" (1880-82), framed

Original: 1880-82, oil on canvas, 35 x 22 cm, Staatsgalerie Stuttgart, loan 1998 Steegmann Collection.

High-quality edition on paper. Framed in silver-coloured solid wood frame, glazed. Size 48.5 x 34 cm (h/w).

Producer: ars mundi Edition Max Büchner GmbH, Bödekerstraße 13, 30161 Hanover, Germany, [email protected]

A historical black-and-white photograph of the French painter Paul Cézanne sitting in his studio in front of a large painting featuring nudes.

About Paul Cézanne

1839-1906

"I do not paint as I see, I paint as I feel. An art which isn't based on feeling isn't an art at all...". Paul Cézanne’s post-impressionistic paintings laid the foundations of the transition for 20th-century art. In particular, Cubists and Fauvists, such as Pablo Picasso and Henri Matisse, traced their art directly back to Cézanne. Cézanne was one of the first painters to deliberately change sizes and perspectives in his paintings in order to achieve special effects and vividness.

Cézanne was born on January 19, 1839, in Aix-en-Provence as the son of a small banker. The very late artistic recognition made the artist financially dependent on his father throughout his whole life. The Ecole des Beaux-Arts in Paris and the Paris Salon constantly rejected his submissions, resulting in him becoming a solitary loner. Complying with his father's wishes, Cézanne attended the law school. He, therefore, educated himself as an autodidact in the field of arts and studied the works of Rubens, Delacroix and Poussin. He often worked with groups of Impressionists and even exhibited with them. However, he distanced himself from their style, as he wanted to create a "solid and lasting like art" that was only carrying a few impressionistic features, such as the bright colour palette and the atmospheric, flickering colourfulness.

Cézanne painted almost exclusively landscapes of the Aix-en-Provence region, still lifes and everyday scenes, in which he did not want to reproduce visible nature but what he perceived. He developed a new conception of space, form and colour that was to set the trend for subsequent generations of painters. Quite rightly he is called the "Father of Modernism".

The real significance of his works was only recognised after his first solo exhibition in Paris in 1895. Further exhibitions followed, and finally, his paintings were sold at high prices. Nevertheless, he slowly retired due to his deteriorated health. Even his wife and son, who both lived in Paris, could no longer get through to him. Finally, Cézanne died alone on October 22, 1906, of pneumonia in his studio in Aix-en-Provence.

The large memorial exhibition "Myth of Cézanne" was commemorated just one year later with 56 of his paintings.

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The style of Impressionism, which emerged in French painting around 1870, owes its name to Claude Monet's landscape 'Impression, Soleil Levant'. After initial rejection, it began a veritable triumphal procession.

Painters such as Claude Monet, Edgar Degas, Edouard Manet, Auguste Renoir and others created motifs from everyday life, urban and landscape scenes in bright, natural light.

Impressionism can be seen as a reaction to academic painting. Rather than emphasizing content with a structured composition, it focused on the subject as it appears in the moment, often in a seemingly random snapshot. The reality was seen in all its variety of colours in natural lighting. Outdoor painting replaced studio painting.

Through the brightening of the palette and the dissolution of firm contours, a new approach to colour emerged. In many cases, the colours were no longer mixed on the palette but placed side by side on the canvas, so that the final impression emerged in the eye of the viewer with a certain distance. In "Pointillism", (with painters such as Georges Seurat or Paul Signac), this principle was taken to the extreme.

Outside France, Impressionism was taken up by painters such as Max Slevogt, Max Liebermann and Lovis Corinth in Germany, and by James A. M. Whistler in the United States.

However, Impressionism was only expressed to a limited extent in the art of sculpture. In the works of Auguste Rodin, who is considered one of the main representatives, a dissolution of surfaces is evident, in which the play of light and shadow is included in the artistic expression. Degas and Renoir created sculptures as well.

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The object in the size ratio of 1.70 m

48,5 x 34 cm

48,5 x 34 cm

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IN-945554.R1 Picture "The Bath" (1880-82), framed https://www.arsmundi.de/en/paul-cezanne-picture-the-bath-1880-82-framed-945554-r1/ https://www.arsmundi.de/thumbnails/4b/53/9a/1725353398/945554.R1_1_320x320.jpg https://www.arsmundi.de/thumbnails/4b/53/9a/1725353398/945554.R1_1_320x320.jpg InStock 142.64 EUR 945554.R1 00000000000000000000000999895958 Other Techniques Nude Nude Nude Other techniques Cézanne, Paul Nude Bilder 19th century/ca. 1900 19th century/ca. 1900 Other techniques 19th Cent. - Impressionism|19th century / around 1900 Nude Pictures Pictures Paul Cézanne 0 0 1 1 945554R1|badende|frauen|menschen Cézanne, Paul 0 0 0 0 0 0 0 1 2024-09-03 00:00:00 534 500 500 0 1 /LP /LP/French Impressionist painters /Pictures /Pictures/Discover Images /Service /Service/Guide /Artists /Artists/Detailseite (Produktlisting) /Service/Guide/Works of Art from Renowned Museums /Service/Guide/Works of Art from Renowned Museums/Staatsgalerie Stuttgart /Recommendations /Recommendations/Gift Ideas /Recommendations/Gift Ideas/Available for Immediate Delivery /Pictures/Techniques /Pictures/Epochs /Pictures/Motifs /Pictures/Motifs/Nude /AK /AK/ART SALE /Pictures/Discover Images/All Pictures /LP/French artists /intern /LP/Objects Available for Immediate Delivery /LP/Great Art for Low Prices /Pictures/Epochs/Impressionism /Pictures/Techniques/Other Techniques /intern/Produkte /LP/Alle Objekte 019ce1d2777b7537bc1e5b9f358ba5f3 01a02365b7067144a3ee4da39ae93f83 01a03440599370709351820f53398e26 110002d4ac55449bb1be0348d71f2396 185b411b7151469a981b743b38d39c03 1f041a79f2b6403b8eae5a6987432c47 2c55b8a71500447ab29707fabd2e7361 3d827f4255cb437ebb1c730e93118388 40aa17d90d294482839b164bf0a93a02 5ee7d22ed1da476fa00425f0550481fd 6316309f502147a288172856026d5fc8 6b559e0bb5324099bc41663fdbcc80e5 7963e3e66c7b4b7e8795afa8fe60c955 79afafcb28e24a04b53f7a74d23f84e5 83b04656fff64f73a6c884a96f9d7d98 88dfe7ddac2a4a439c55836deca17f86 8c94174ae06c44219b6c2134d0eb3401 96ed9bdfc8f2485c87a9dd1db8deb05b 983bd433d5ed47a88825d6f413456cae 9c1cbd6ad7bd470d9770db0c496c7a56 ad8ad6e054aa442da969bf7765100bec b6d0490f8a9b4a57831647ea368b66b4 b85f579da7034ae488a8e8be42e215a4 b9c8c829dac24c79baf6cc06347fa56b ca8d2c6bbb514dcd9ce7b32b0e68b25c db6148ea99ca4fa0b1aa92397c1c4711 f17d6493f0f744ecb31b3a2d1a96eef6 fb89ca270db74440b1ca873b20879c81 fda632c426c24bf8aebfb826dc028741 fda632c426c24bf8aebfb826dc028741 6b559e0bb5324099bc41663fdbcc80e5 110002d4ac55449bb1be0348d71f2396 ad8ad6e054aa442da969bf7765100bec db6148ea99ca4fa0b1aa92397c1c4711 01a03440599370709351820f53398e26 1f041a79f2b6403b8eae5a6987432c47 9c1cbd6ad7bd470d9770db0c496c7a56 983bd433d5ed47a88825d6f413456cae 6316309f502147a288172856026d5fc8 79afafcb28e24a04b53f7a74d23f84e5 01a02365b7067144a3ee4da39ae93f83 5ee7d22ed1da476fa00425f0550481fd 40aa17d90d294482839b164bf0a93a02 96ed9bdfc8f2485c87a9dd1db8deb05b Paul Cézanne Original: 1880-82, oil on canvas, 35 x 22 cm, Staatsgalerie Stuttgart, loan 1998 Steegmann Collection.High-quality edition on paper. Framed in silver-coloured solid wood frame, glazed. Size 48.5 x 34 cm (h/w). 186.05 reproduction on paper | framed | glazed | size 48.5 x 34 cm (h/w)