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Paul Klee:
Picture "Bathing Beach St. Germain near Tunis" (1914), framed
Picture "Bathing Beach St. Germain near Tunis" (1914), framed by Paul Klee
Picture "Bathing Beach St. Germain near Tunis" (1914), framed by Paul Klee
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Picture "Bathing Beach St. Germain near Tunis" (1914), framed
Paul Klee:
Picture "Bathing Beach St. Germain near Tunis" (1914), framed

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limited, 500 copies | facsimile print on handmade paper | framed | glazed | size approx. 43.2 x 47.5 cm (h/w)

€372.10

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Product no. IN-786818.R1

Delivery time: approx. 2 weeks

Picture "Bathing Beach St. Germain near Tunis" (1914), framed
Paul Klee: Picture "Bathing Beach St. Germain near Tunis"...
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Detailed description

Picture "Bathing Beach St. Germain near Tunis" (1914), framed

Paul Klee, Louis Moilliet and August Macke's trip to Tunis made art history: Under the African sun, they revolutionised their painting style one after the other, found countless motifs in the winding alleys and dealt with the themes of form and colour in a completely new way.
Original: 1914, watercolour, 21.5 x 26.9 cm, Ulm Museum, Ulm.

5-colour facsimile print on 270g Rives handmade paper. Limited edition of 500 copies. Framed in a silver-coloured solid wood frame, glazed. Size approx. 43.2 x 47.5 cm (h/w).

Producer: ars mundi Edition Max Büchner GmbH, Bödekerstraße 13, 30161 Hanover, Germany, [email protected]

Customer reviews

Average rating of 5 out of 5 stars

(2)

Average rating of 5 out of 5 stars

Average rating of 5 out of 5 stars

Sehr schön und edel gerahmt .. tolle Farben

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A historical black-and-white photograph of the German-Swiss artist and painter Paul Klee, bearded, sitting in his studio next to a table.

About Paul Klee

He was called "the unique one" by his fellow artists: Paul Klee (1879-1940) shaped the understanding of modern art like hardly anyone else. With his mosaic-like composed works, he created a completely new style.

Born in Bern in 1879, Klee, a German-Swiss, turned out to be a double talent from an early age on: both his drawing skills and his violin skills promised him a musical as well as an artistic career. Klee decided on art and went to the Munich Art Academy, where he studied as a student of Franz von Stuck, among others. But it was not so much his academic studies that helped him develop an independent style but rather an extended study trip to Italy with his artist friends. Subtle symbolic depictions full of wit and humour became his trademark. Usually, just small formats and often merely drawings, enchant the viewer.

In 1906 Klee married the pianist Lily Stumpf and they had a son, Felix. The young family lived a very secluded life in Munich. It was only through the draughtsman Alfred Kubin that Klee became acquainted with the group known as the "Blaue Reiter". Klee quickly became friends with Kandinsky and Marc, with whom he shared the conviction that artistic creation was of spiritual nature.

A trip to the North African city of Tunis in 1914 with his painter friends August Macke and Louis Moilliet helped Klee to find new joy in colour and a genuine creative frenzy. "Color possesses me. I don't have to pursue it. It will possess me always, I know it. That is the meaning of this happy hour: Color and I are one. I am a painter." he writes in his diary. This was followed by countless watercolour paintings, with which he developed his own unique style.

Exhibitions organized by the Blaue Reiter made Klee famous. By the time he is appointed as a "master" by the Bauhaus, he already was a celebrated artist. In 1933, the National Socialist campaign against "degenerate art" forced Klee to leave Germany and settle back in Switzerland. With a true work mania, he tried to rebel against an incurable illness that conquers the painter, who is now internationally famous, only a few years later (1940).

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The German artists‘ association "Der Blaue Reiter" ("The Blue Rider") was founded in 1911 in Munich by Wassily Kandinsky and Franz Marc during the German Expressionist period.

The name was originally the title of a painting by Kandinsky and also the title of the almanac published by Kandinsky and Marc. Members included Paul Klee and August Macke, among others. The group criticised the prevailing art canon as too academic and elitist, demanding more openness and diversity. The artists turned away from realism and began to paint expressively in an increasingly abstract style using strong colours.

The group disbanded at the beginning of World War I.

Artistic movement that replaced Impressionism in the early 20th century.

Expressionism is the German form of the art revolution in painting, graphic art and sculpture, with its precursors found in the works of Paul Cézanne, Vincent van Gogh, and Paul Gauguin at the end of the 19th century. The expressionists sought to reach the fundamental elements of painting. Using vibrant, unbroken colours in large areas, emphasising lines, and aiming for suggestive expressiveness, they fought against the artistic taste established by the bourgeoisie.

The most important representatives of Expressionism were the founders of "Die Brücke": Ernst Ludwig Kirchner, Erich Heckel, Karl Schmidt-Rottluff, Max Pechstein, Otto Mueller and Franz Marc, August Macke and others.

Masters of Viennese Expressionism are Egon Schiele and Oskar Kokoschka. Among sculptors, Ernst Barlach is the most famous.

Fauvism is the French form of Expressionism.

Latin: "to make alike".

Largely faithful reproduction of an original, such as an old manuscripts and codices. (Facsimile edition).

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The object in the size ratio of 1.70 m

43,2 x 47,5 cm

43,2 x 47,5 cm

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IN-786818.R1 Picture "Bathing Beach St. Germain near Tunis" (1914), framed https://www.arsmundi.de/en/paul-klee-picture-bathing-beach-st-germain-near-tunis-1914-framed-786818-r1/ https://www.arsmundi.de/thumbnails/3c/c8/5e/1595404205/786818.R1_1_320x320.jpg https://www.arsmundi.de/thumbnails/3c/c8/5e/1595404205/786818.R1_1_320x320.jpg InStock 372.1 EUR 786818.R1 00000000000000000000000999826176 City and Architecture|Sea / Seafaring|Landscape Sea/Seafaring|City and architecture|Landscape 20th Century|20th Cent. - Expressionism Facsimile blue Facsimile City and architecture|Sea/Seafaring|Landscape Bilder Meer / Seefahrt|Stadt und Architektur|Landschaft Klee, Paul Facsimile 20th century 20th century Pictures Pictures|Nautics Paul Klee 0 0 1 0 blau 786818R1|kunstdruck|kunstdrucke Klee, Paul 0 0 1 0 0 1 0 1 2014-06-16 00:00:00 250 250 250 0 1 /LP /LP/Art Prints by Famous Artists /Pictures /Pictures/Discover Images /Pictures/Discover Images/Limited Editions /Artists /Artists/Detailseite (Produktlisting) /Pictures/Motifs /Pictures/Motifs/City and Architecture /Pictures/Techniques /Pictures/Motifs/Landscape /Pictures/Epochs /Pictures/Epochs/Expressionism /LP/Blauer Reiter /LP/Holiday Mood /LP/Tunis Journey /Pictures/Discover Images/All Pictures /intern /Pictures/Motifs/Sea and Seafaring /intern/Produkte /Pictures/Techniques/Facsimile /LP/Alle Objekte 019fdb1063997e1588c98f5f4c8a2445 01a02365b7067144a3ee4da39ae93f83 01a023c7ef117de8bb9324a52d83d581 110002d4ac55449bb1be0348d71f2396 185b411b7151469a981b743b38d39c03 360cd874b3e645968d7f25e5355068a9 40aa17d90d294482839b164bf0a93a02 4881937585c84000a559222d8866108a 4bfe58946e0148a08b59ff7df6c9e3e0 5901dd2708df4932807ec54e2c867ec4 5ee7d22ed1da476fa00425f0550481fd 5f4669abc60f45be9cd85a8616cdf09f 6316309f502147a288172856026d5fc8 6b559e0bb5324099bc41663fdbcc80e5 8429baa4d024461e94dd8182e9486b7f 88dfe7ddac2a4a439c55836deca17f86 96ed9bdfc8f2485c87a9dd1db8deb05b d7989d88d569469a8e064ffafc119f96 db6148ea99ca4fa0b1aa92397c1c4711 f17d6493f0f744ecb31b3a2d1a96eef6 f8d59122ddbb4ef2a3d122e41a938881 fb89ca270db74440b1ca873b20879c81 fda632c426c24bf8aebfb826dc028741 fda632c426c24bf8aebfb826dc028741 6b559e0bb5324099bc41663fdbcc80e5 110002d4ac55449bb1be0348d71f2396 01a02365b7067144a3ee4da39ae93f83 db6148ea99ca4fa0b1aa92397c1c4711 6316309f502147a288172856026d5fc8 5ee7d22ed1da476fa00425f0550481fd 96ed9bdfc8f2485c87a9dd1db8deb05b 40aa17d90d294482839b164bf0a93a02 Paul Klee Paul Klee, Louis Moilliet and August Macke's trip to Tunis made art history: Under the African sun, they revolutionised their painting style one after the other, found countless motifs in the winding alleys and dealt with the themes of form and colour in a completely new way. Original: 1914, watercolour, 21.5 x 26.9 cm, Ulm Museum, Ulm. 5-colour facsimile print on 270g Rives handmade paper. Limited edition of 500 copies. Framed in a silver-coloured solid wood frame, glazed. Size approx. 43.2 x 47.5 cm (h/w). 372.1 limited, 500 copies | facsimile print on handmade paper | framed | glazed | size approx. 43.2 x 47.5 cm (h/w) 5 2