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Peder Severin Kroyer:
Picture "Two Women in the Garden (In the Arbour)" (1892), framed
Picture "Two Women in the Garden (In the Arbour)" (1892), framed by Peder Severin Kroyer
Picture "Two Women in the Garden (In the Arbour)" (1892), framed by Peder Severin Kroyer
Picture "Two Women in the Garden (In the Arbour)" (1892), framed by Peder Severin Kroyer
Picture "Two Women in the Garden (In the Arbour)" (1892), framed by Peder Severin Kroyer
Picture "Two Women in the Garden (In the Arbour)" (1892), framed by Peder Severin Kroyer
Picture "Two Women in the Garden (In the Arbour)" (1892), framed by Peder Severin Kroyer
Picture "Two Women in the Garden (In the Arbour)" (1892), framed by Peder Severin Kroyer
Picture "Two Women in the Garden (In the Arbour)" (1892), framed by Peder Severin Kroyer
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Picture "Two Women in the Garden (In the Arbour)" (1892), framed
Peder Severin Kroyer:
Picture "Two Women in the Garden (In the Arbour)" (1892), framed

Quick info

ars mundi Exclusive Edition | limited, 499 copies | numbered | certificate | reproduction, Giclée print on canvas | stretcher frame | museum frame | size 66 x 78 cm

€588.00

incl. tax plus Shipping

Product no. IN-715488.R1

Delivery time: approx. 2 weeks

Picture "Two Women in the Garden (In the Arbour)" (1892), framed
Peder Severin Kroyer: Picture "Two Women in the Garden (I...
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Detailed description

Picture "Two Women in the Garden (In the Arbour)" (1892), framed

Although they avert their gaze from another and focus entirely on their handiwork, Krøyer still was able to convey a sense of calm and serene togetherness. This picture is almost capable of calming the noise and the hustle and bustle of an entire room.
Original: Oil on canvas, Museum of Art and Culture, Lübeck.

Fine Art Giclée directly onto artist's canvas and mounted on a stretcher frame. Framed in museum frame. Limited edition of 499 copies, numbered on the back and with certificate. Size 66 x 78 cm. Exclusively at ars mundi.

Producer: ars mundi Edition Max Büchner GmbH, Bödekerstraße 13, 30161 Hanover, Germany Email: info@arsmundi.de

Portrait of the artist Peder Severin Kroyer

About Peder Severin Kroyer

1851-1909

In Denmark and Norway, everyone knows Peder Severin Krøyer. The Norwegian-Danish painter is the icon of Nordic Impressionism.

Krøyer entered the Royal Danish Academy of Art at the age of 14. As a young artist, he travelled extensively to Spain, Italy and especially France from 1877 to 1881, where he studied the Impressionists in Paris. In the summer of 1882, Krøyer came to Skagen for the first time, where he spent every summer from then on and became the main representative of the artists' colony there.

His paintings show the carefree life of the artists, their parties, walks on the beach and atmospheric evenings in the moonlight.

It is not only his technical mastery and virtuoso handling of pictorial composition and colour coordination that make Krøyer a great master. It is also his precise powers of observation and the fact that the perfectly captured moods of his pictures have an almost immediate effect on the viewer.

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Graphic or sculpture edition that was initiated by ars mundi and is available only at ars mundi or at distribution partners licensed by ars mundi.

Depiction of typical scenes from daily life in painting, with distinctions between rural, bourgeois, and courtly genres.

The genre reached its peak and immense popularity in Dutch paintings of the 17th century. In the 18th century, especially in France, the courtly and gallant painting became prominent, while in Germany, a more bourgeois character developed.

Giclée = derived from the French verb gicler "to squirt, to spray".

The Giclée method is a digital printing process. It is a high-resolution, large-format print produced with an inkjet printer using special different-coloured dye- or pigment-based inks (usually six to twelve). The inks are lightfast, meaning they are resistant to harmful UV light. They provide a high level of nuance, contrast, and saturation.

The Giclée process is suitable for art canvases, handmade paper and watercolour paper as well as silk.

The style of Impressionism, which emerged in French painting around 1870, owes its name to Claude Monet's landscape 'Impression, Soleil Levant'. After initial rejection, it began a veritable triumphal procession.

Painters such as Claude Monet, Edgar Degas, Edouard Manet, Auguste Renoir and others created motifs from everyday life, urban and landscape scenes in bright, natural light.

Impressionism can be seen as a reaction to academic painting. Rather than emphasizing content with a structured composition, it focused on the subject as it appears in the moment, often in a seemingly random snapshot. The reality was seen in all its variety of colours in natural lighting. Outdoor painting replaced studio painting.

Through the brightening of the palette and the dissolution of firm contours, a new approach to colour emerged. In many cases, the colours were no longer mixed on the palette but placed side by side on the canvas, so that the final impression emerged in the eye of the viewer with a certain distance. In "Pointillism", (with painters such as Georges Seurat or Paul Signac), this principle was taken to the extreme.

Outside France, Impressionism was taken up by painters such as Max Slevogt, Max Liebermann and Lovis Corinth in Germany, and by James A. M. Whistler in the United States.

However, Impressionism was only expressed to a limited extent in the art of sculpture. In the works of Auguste Rodin, who is considered one of the main representatives, a dissolution of surfaces is evident, in which the play of light and shadow is included in the artistic expression. Degas and Renoir created sculptures as well.

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The object in the size ratio of 1.70 m

78 x 66 cm

78 x 66 cm

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IN-715488.R1 Picture "Two Women in the Garden (In the Arbour)" (1892), framed https://www.arsmundi.de/en/peder-severin-kroyer-picture-two-women-in-the-garden-in-the-arbour-1892-framed-715488-r1/ https://www.arsmundi.de/thumbnails/83/e3/g0/1619633857/715488.R1_1_320x320.jpg https://www.arsmundi.de/thumbnails/83/e3/g0/1619633857/715488.R1_1_320x320.jpg InStock 588 EUR 715488.R1 00000000000000000000000999815026 Giclée Special editions|Pictures Genreszenen Genre scenes Bilder 19th century/ca. 1900 multicoloured 19th century/ca. 1900 Genre scenes Giclée Kroyer, Peder Severin 19th Cent. - Impressionism|19th century / around 1900 Pictures Giclée Genre Scene Peder Severin Kroyer 0 0 1 0 bunt 715488R1|kunstdruck|kunstdrucke Kroyer, Peder Severin 0 1 1 0 0 0 0 1 2010-01-06 00:00:00 250 250 250 0 1 /Pictures /Artists A-Z /Artists A-Z/Detailseite (Produktlisting) /Pictures/Techniques /Pictures/Epochs /Pictures/Motifs /Pictures/Techniques/Giclée /LP /Pictures/All Pictures /intern /Recommendations /Recommendations/Gift Ideas /Pictures/Motifs/Genre Scene /Pictures/Epochs/Impressionism /LP/Painters of Light /Recommendations/Exclusive Editions /Recommendations/Gift Ideas/200 EUR - 500 EUR /intern/Produkte /LP/Alle Objekte 110002d4ac55449bb1be0348d71f2396 185b411b7151469a981b743b38d39c03 40aa17d90d294482839b164bf0a93a02 5ee7d22ed1da476fa00425f0550481fd 6316309f502147a288172856026d5fc8 6348b526c7b946cbac3a6bf68dd53a66 6b559e0bb5324099bc41663fdbcc80e5 88dfe7ddac2a4a439c55836deca17f86 96ed9bdfc8f2485c87a9dd1db8deb05b 983bd433d5ed47a88825d6f413456cae 9c1cbd6ad7bd470d9770db0c496c7a56 b6c18189e34743eb9753955a489d8b51 b9c8c829dac24c79baf6cc06347fa56b d018a68c98a14e97a48bbfad79a7bc96 d766df25bb924e2f9c4006891fb54abe db6148ea99ca4fa0b1aa92397c1c4711 ed10bf9efea84ba8ba76d3c6e437c648 f17d6493f0f744ecb31b3a2d1a96eef6 fb89ca270db74440b1ca873b20879c81 fda632c426c24bf8aebfb826dc028741 fda632c426c24bf8aebfb826dc028741 db6148ea99ca4fa0b1aa92397c1c4711 110002d4ac55449bb1be0348d71f2396 40aa17d90d294482839b164bf0a93a02 9c1cbd6ad7bd470d9770db0c496c7a56 6316309f502147a288172856026d5fc8 5ee7d22ed1da476fa00425f0550481fd 6b559e0bb5324099bc41663fdbcc80e5 983bd433d5ed47a88825d6f413456cae 96ed9bdfc8f2485c87a9dd1db8deb05b Peder Severin Kroyer Although they avert their gaze from another and focus entirely on their handiwork, Krøyer still was able to convey a sense of calm and serene togetherness. This picture is almost capable of calming the noise and the hustle and bustle of an entire room. Original: Oil on canvas, Museum of Art and Culture, Lübeck. Fine Art Giclée directly onto artist's canvas and mounted on a stretcher frame. Framed in museum frame. Limited edition of 499 copies, numbered on the back and with certificate. Size 66 x 78 cm. Exclusively at ars mundi. 588 ars mundi Exclusive Edition | limited, 499 copies | numbered | certificate | reproduction, Giclée print on canvas | stretcher frame | museum frame | size 66 x 78 cm https://www.arsmundi.de/media/db/b7/83/1676971787/715488.R1_2.jpg?ts=1676971787