Brooch "Hommage à Emilie" - after Gustav Klimt
Brooch "Hommage à Emilie" - after Gustav Klimt
Quick info
gold-plated brass | gemstones | hand-coloured | size 4.5 x 4.5 cm
Detailed description
Brooch "Hommage à Emilie" - after Gustav Klimt
After Gustav Klimt's famous Art Nouveau painting of Emilie Flöge. Made of lapis lazuli, faceted and Bohemian crystals as well as Murano glass, on 24-carat gilded brass. Hand coloured. Size 4.5 x 4.5 cm. Each piece of jewellery is unique.
Producer: ars mundi Edition Max Büchner GmbH, Bödekerstraße 13, 30161 Hanover, Germany, [email protected]
This object is part of the following sets
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About Petra Waszak
For many years Petra Waszak has been interpreting forms and symbols of art history with a unique sensitivity for her fashionable accessories. With great sensitivity, she combines different stylistic elements and techniques to create a special tension.
The artist has already worked with the most important fashion companies such as Dior, Chanel and Gucci. Her extraordinary creations can be found in the shops of major world museums such as the Musée du Louvre in Paris, the British Museum in London or the Rijksmuseum in Amsterdam. Her creations are worn by many actors, politicians and celebrities, such as Liza Minelli or Angela Merkel.
The term Art Nouveau, or the German term Jugendstil (lit.: "Youth Style"), is the art epoch between 1890-1910. The name originates from the Munich-based magazine "Jugend" (Youth), founded in 1896. It was the German counterpart of Art Nouveau (France), internationally known as Modern Style (England) or Secession (Austria).
Art Nouveau spread across Europe, resulting in innumerable works, ranging from painting and applied arts to architecture. One of the requirements of Art Nouveau was the artistic design of everyday objects, aiming to merge beauty with practicality. The desired unity of the artistic ability could only be achieved through individually influenced design, making Art Nouveau a precursor of modernism. The defining characteristic of Art Nouveau is its linear, often asymmetrical ornamentation. The models are particularly taken from nature and flora.
Major Art Nouveau centres were formed in Munich, Darmstadt, Brussels, Paris and Nancy (Glass Art by Emile Gallé). The Viennese architecture of that time was determined by Otto Wagner and J. Hoffmann. Gustav Klimt created paintings that gave sensual shape to the spirit of Art Nouveau.