Picture "Portrait of a Young Woman" (1460), framed
Picture "Portrait of a Young Woman" (1460), framed
Quick info
ars mundi Exclusive Edition | limited, 499 copies | numbered | certificate | reproduction, Giclée print on canvas | on stretcher frame | framed | size 59 x 42 cm (h/w)
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Picture "Portrait of a Young Woman" (1460), framed
For many years, the painting was attributed to Antonio del Pollaiuolo, Piero's older brother. Piero worked in his brother Antonio's famous goldsmith's workshop but specialised in painting. His father was also a goldsmith. This environment produced a love of detail and the ability to depict this precisely.
Original: 1460, Tempera on poplar wood. Gemäldegalerie, National Museums in Berlin.
Edition transferred directly onto artist's canvas using the Fine Art Giclée process and stretched on a stretcher frame. Limited edition of 499 copies, numbered, with certificate. Framed in handmade, golden solid wood frame. Size 59 x 42 cm (h/w). ars mundi Exclusive Edition.
Producer: ars mundi Edition Max Büchner GmbH, Bödekerstraße 13, 30161 Hanover, Germany, [email protected]
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Giclée = derived from the French verb gicler "to squirt, to spray".
The Giclée method is a digital printing process. It is a high-resolution, large-format print produced with an inkjet printer using special different-coloured dye- or pigment-based inks (usually six to twelve). The inks are lightfast, meaning they are resistant to harmful UV light. They provide a high level of nuance, contrast, and saturation.
The Giclée process is suitable for art canvases, handmade paper and watercolour paper as well as silk.
(Rebirth). Term used to describe art from around 1350 until the 16th century.
Beginning in Florence, by the late 14th century, a mindset developed that, in retrospect, was classified as the rebirth of the classical ideals of ancient Greece and Rome. During the 15th and 16th centuries, the Renaissance spread first through Italy and then across Western Europe, influencing the entire artistic creation. Brilliant artists such as Donatello, Leonardo da Vinci, Michelangelo, Raphael, Dürer, Holbein, Cranach and Fouquet created their immortal works by following the humanistic premises and placing the human being in the centre of all thinking.
In literature, the Renaissance reached its pinnacle through the dramatic works of William Shakespeare.
By the end of the 16th century, the Renaissance had to give way to the opulence of the Baroque, before its ideas experienced a rebirth in the Classicism of the 18th century.