Sculpture "Möbius Strip" (2024), bronze
Sculpture "Möbius Strip" (2024), bronze
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ars mundi Exclusive Edition | limited, 49 copies | numbered | signed | hallmarked | certificate | bronze | chiselled | polished | patinated | size 11.5 x 16.5 x 10 cm (h/w/d) | weight approx. 2 kg
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Sculpture "Möbius Strip" (2024), bronze
The Möbius strip is a topological construction with only one surface and only one edge, where it is impossible to distinguish between top and bottom. It is often regarded as a symbol of infinity.
Bronze sculpture, cast using the Lost-Wax-Process, chiselled, polished and patinated by hand. Limited edition of 49 copies, numbered, signed and hallmarked with the foundry and ars mundi stamp. With numbered certificate of authenticity and limitation. Size 11.5 x 16.5 x 10 cm (h/w/d). Weight approx. 2 kg. ars mundi Exclusive Edition.
Producer: ars mundi Edition Max Büchner GmbH, Bödekerstraße 13, 30161 Hanover, Germany, [email protected]
About Pierre-Paul Maillé
The painter and sculptor Pierre-Paul Maillé was born in Canada in 1962. He has lived and worked in Germany since 1988. He studied fine arts and art history as well as sculpture in Montreal and has had numerous solo and group exhibitions as a freelance artist.
Maillé creates abstract sculptures with an elegant radiance made of different materials.
An alloy of copper with other metals (especially with tin) used since ancient times. It is an ideal metal for high-quality artistic castings, capable of enduring for millennia.
When casting bronze, the artist usually applies the lost-wax technique which is dating back more than 5000 years. This is the best, but also the most complex method of producing sculptures.
First, the artist forms a model of their work. This model is embedded in a liquid silicone rubber mass. Once the material has solidified, the model is cut out, leaving a negative mould. Liquid wax is then poured into the negative mould. After cooling down, the wax cast is removed from the mould, provided with sprues and dipped into ceramic mass. The ceramic mass is hardened in a kiln, where the wax melts away (lost mould).
Finally, the negative mould is ready, into which the 1400° C hot molten bronze is poured. After the bronze had cooled down, the ceramic shell is broken apart, reavoling the sculpture.
Next, the sprues are removed, the surfaces are polished, patinated and numbered by the artist or by a specialist, following their instructions. Thus, each casting is an original work.
For lower-quality bronze castings, the sand casting method is often used, which, however, does not achieve the results of a more elaborate lost-wax technique in terms of surface characteristics and quality.
Graphic or sculpture edition that was initiated by ars mundi and is available only at ars mundi or at distribution partners licensed by ars mundi.
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Term for an art object (sculpture, installation) that, according to the artist’s intention, is produced in multiple copies within a limited and numbered edition.
Multiples enable the "democratization" of art by making the work accessible and affordable for a wider audience.
A plastic work of sculptural art made of wood, stone, ivory, bronze or other metals.
While sculptures made of wood, ivory, or stone are carved directly from the material block, in bronze casting, a working model is prepared at first. Usually, it is made of clay or other easily mouldable materials.
The prime time of sculpture after the Greek and Roman antiquity was the Renaissance. Impressionism gave a new impulse to the sculptural arts. Contemporary artists such as Jorg Immendorf, Andora, and Markus Lupertz also enriched sculptures with outstanding works.