Sculpture "Venus", bronze version
Sculpture "Venus", bronze version
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ars mundi Exclusive Edition | limited, 199 copies | numbered | signed | foundry stamp | certificate | edition in bronze | size incl. pedestal 31 x 10 x 10 cm (h/w/d) | weight 3.3 kg
Detailed description
Sculpture "Venus", bronze version
In the magic of the moment: Roman Johann Strobl (born in 1951) draws his inspiration for the female nude from regret over transience. By creating forms that are resistant to change, he captures the beauty of the moment. The unmistakable classical training of the Italian school led the Austrian-born artist to a figurative virtuosity that he skilfully combines with a pleasant down-to-earthiness.
Sculpture "Venus":
Edition in bronze. Cast using the Lost-Wax-Process. Limited edition of 199 copies. Numbered, signed and hallmarked with foundry stamp. With certificate. On a high-quality acrylic base. Size incl. pedestal 31 x 10 x 10 cm (h/w/d). Weight 3.3 kg. ars mundi Exclusive Edition.
Producer: ars mundi Edition Max Büchner GmbH, Bödekerstraße 13, 30161 Hanover, Germany, [email protected]
Customer reviews
Alles wunderbar.
About Roman Johann Strobl
Born in 1951, Austrian sculptor
The sculptor and painter Roman Johann Strobl, who lives in Going am Wilden Kaiser, has made a name for himself among art collectors and gallery owners above all with his wooden sculptures, which are filigree, expressive and cheerfully dynamic. He has attracted public attention for his redesign of the German film award "Lola" and portraits of the former Chancellor of Germany Gerhard Schröder, among others.
The Austrian was born in 1951 and grew up in a traditional woodcarving family. Already at the age of 14, he learned the woodcarving trade in his father's workshop. To deepen his skills, Strobl studied sculpture under Professor Sebastian Cosamale in Todi, Italy. This was followed by numerous journeys to the Middle East, India and the roots of Greek mythology on Crete, which provided the artist with lasting inspiration for themes for his sculptural work.
Strobl experimented with a wide variety of techniques and materials for a long time. However, stone sculpture slowly became the focus of his artistic work. In 1997, he finally turned back to wood as a means of expression. But no longer with the carving knife but with the electric chainsaw with which he creates his objects with incredible precision like no other.
Strobl's oeuvre includes sculptures in wood, marble and stone. Moreover, he created a series of expressive picture cycles on canvas and drawings. Since the mid-1980s, his works have been regularly represented at exhibitions in Germany and Austria. His sculptural work is presented in public spaces ("Kunst am Bau") on buildings in Munich, Hanover and in Austria. Strobl has also appeared in chainsaw performances, including in the Austrian pavilion at EXPO 2000 in Hanover and Ahrensburg (2001), where he portrayed the Italian sculptor Bruno Bruni.
An alloy of copper with other metals (especially with tin) used since ancient times. It is an ideal metal for high-quality artistic castings, capable of enduring for millennia.
When casting bronze, the artist usually applies the lost-wax technique which is dating back more than 5000 years. This is the best, but also the most complex method of producing sculptures.
First, the artist forms a model of their work. This model is embedded in a liquid silicone rubber mass. Once the material has solidified, the model is cut out, leaving a negative mould. Liquid wax is then poured into the negative mould. After cooling down, the wax cast is removed from the mould, provided with sprues and dipped into ceramic mass. The ceramic mass is hardened in a kiln, where the wax melts away (lost mould).
Finally, the negative mould is ready, into which the 1400° C hot molten bronze is poured. After the bronze had cooled down, the ceramic shell is broken apart, reavoling the sculpture.
Next, the sprues are removed, the surfaces are polished, patinated and numbered by the artist or by a specialist, following their instructions. Thus, each casting is an original work.
For lower-quality bronze castings, the sand casting method is often used, which, however, does not achieve the results of a more elaborate lost-wax technique in terms of surface characteristics and quality.
Graphic or sculpture edition that was initiated by ars mundi and is available only at ars mundi or at distribution partners licensed by ars mundi.
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Term for an art object (sculpture, installation) that, according to the artist’s intention, is produced in multiple copies within a limited and numbered edition.
Multiples enable the "democratization" of art by making the work accessible and affordable for a wider audience.
A plastic work of sculptural art made of wood, stone, ivory, bronze or other metals.
While sculptures made of wood, ivory, or stone are carved directly from the material block, in bronze casting, a working model is prepared at first. Usually, it is made of clay or other easily mouldable materials.
The prime time of sculpture after the Greek and Roman antiquity was the Renaissance. Impressionism gave a new impulse to the sculptural arts. Contemporary artists such as Jorg Immendorf, Andora, and Markus Lupertz also enriched sculptures with outstanding works.