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Wilhelm Lehmbruck:
Sculpture "Mother with Child" (1907), bronze version
Sculpture "Mother with Child" (1907), bronze version by Wilhelm Lehmbruck
Sculpture "Mother with Child" (1907), bronze version by Wilhelm Lehmbruck
Sculpture "Mother with Child" (1907), bronze version by Wilhelm Lehmbruck
Sculpture "Mother with Child" (1907), bronze version by Wilhelm Lehmbruck
Sculpture "Mother with Child" (1907), bronze version by Wilhelm Lehmbruck
Sculpture "Mother with Child" (1907), bronze version by Wilhelm Lehmbruck
Sculpture "Mother with Child" (1907), bronze version by Wilhelm Lehmbruck
Sculpture "Mother with Child" (1907), bronze version by Wilhelm Lehmbruck
Sculpture "Mother with Child" (1907), bronze version by Wilhelm Lehmbruck
Sculpture "Mother with Child" (1907), bronze version by Wilhelm Lehmbruck
Sculpture "Mother with Child" (1907), bronze version by Wilhelm Lehmbruck
Sculpture "Mother with Child" (1907), bronze version by Wilhelm Lehmbruck
Wilhelm Lehmbruck:
Sculpture "Mother with Child" (1907), bronze version

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bronze | patinated | polished | size 25.5 x 26 x 22 cm (w/h/d) | weight approx. 8.4 kg

€3,307.56

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Product no. IN-705888

Delivery time: Immediately deliverable

Sculpture "Mother with Child" (1907), bronze version
Wilhelm Lehmbruck: Sculpture "Mother with Child" (1907),...
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Detailed description

Sculpture "Mother with Child" (1907), bronze version

The theme of "Mother and Child" occupied Lehmbruck throughout his whole life. The 1907 version is a central work of his first Paris exhibition. It shows the mother as a happy, loving woman and is still clearly indebted to classical sculpture. Lehmbruck's outstanding sense of size and proportion already heralds the sculptural condensation of later works. Lehmbruck created the sculpture after his first trip to Italy, and its Pietà gesture was probably inspired by the Old Masters admired there.

Sculptor's model after the original, size 25.5 x 26 x 22 cm (w/h/d). Edition in fine bronze. Cast using the Lost-Wax-Process, patinated and polished by hand. Weight approx. 8.4 kg.

Producer: ars mundi Edition Max Büchner GmbH, Bödekerstraße 13, 30161 Hanover, Germany, [email protected]

About Wilhelm Lehmbruck

1881-1919

Together with Ernst Barlach and Käthe Kollwitz, Wilhelm Lehmbruck is one of the most important German sculptors of the early 20th century.

Fortunate circumstances led the son of a miner to an arts and crafts school and finally to the Düsseldorf Art Academy in 1901, where he became a master-class student of Karl Janssen.

In 1904, the first major Rodin exhibition in Germany left a lasting impression on the student. His artistic environment had a decisive influence on Lehmbruck's development. In Paris in 1910, he met Matisse, Archipenko, Brancusi and Modigliani, who encouraged his path towards expressionist sculpture.

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An alloy of copper with other metals (especially with tin) used since ancient times. It is an ideal metal for high-quality artistic castings, capable of enduring for millennia.

When casting bronze, the artist usually applies the lost-wax technique which is dating back more than 5000 years. This is the best, but also the most complex method of producing sculptures.

First, the artist forms a model of their work. This model is embedded in a liquid silicone rubber mass. Once the material has solidified, the model is cut out, leaving a negative mould. Liquid wax is then poured into the negative mould. After cooling down, the wax cast is removed from the mould, provided with sprues and dipped into ceramic mass. The ceramic mass is hardened in a kiln, where the wax melts away (lost mould).

Finally, the negative mould is ready, into which the 1400° C hot molten bronze is poured. After the bronze had cooled down, the ceramic shell is broken apart, reavoling the sculpture.

Next, the sprues are removed, the surfaces are polished, patinated and numbered by the artist or by a specialist, following their instructions. Thus, each casting is an original work.

For lower-quality bronze castings, the sand casting method is often used, which, however, does not achieve the results of a more elaborate lost-wax technique in terms of surface characteristics and quality.

> Bronze sculptures

Artistic movement that replaced Impressionism in the early 20th century.

Expressionism is the German form of the art revolution in painting, graphic art and sculpture, with its precursors found in the works of Paul Cézanne, Vincent van Gogh, and Paul Gauguin at the end of the 19th century. The expressionists sought to reach the fundamental elements of painting. Using vibrant, unbroken colours in large areas, emphasising lines, and aiming for suggestive expressiveness, they fought against the artistic taste established by the bourgeoisie.

The most important representatives of Expressionism were the founders of "Die Brücke": Ernst Ludwig Kirchner, Erich Heckel, Karl Schmidt-Rottluff, Max Pechstein, Otto Mueller and Franz Marc, August Macke and others.

Masters of Viennese Expressionism are Egon Schiele and Oskar Kokoschka. Among sculptors, Ernst Barlach is the most famous.

Fauvism is the French form of Expressionism.

A plastic work of sculptural art made of wood, stone, ivory, bronze or other metals.

While sculptures made of wood, ivory, or stone are carved directly from the material block, in bronze casting, a working model is prepared at first. Usually, it is made of clay or other easily mouldable materials.

The prime time of sculpture after the Greek and Roman antiquity was the Renaissance. Impressionism gave a new impulse to the sculptural arts. Contemporary artists such as Jorg Immendorf, Andora, and Markus Lupertz also enriched sculptures with outstanding works.

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IN-705888 Sculpture "Mother with Child" (1907), bronze version https://www.arsmundi.de/en/wilhelm-lehmbruck-sculpture-mother-with-child-1907-bronze-version-705888/ https://www.arsmundi.de/thumbnails/f5/e2/75/1619633731/705888_1_320x320.jpg https://www.arsmundi.de/thumbnails/f5/e2/75/1619633731/705888_1_320x320.jpg InStock 3307.56 EUR 705888 00000000000000000000000999520270 Sculptures dark 20th Century|20th Cent. - Expressionism Lehmbruck, Wilhelm Nude Nude Nude Sculptures Nude Bronze Bronze 20th century 20th century Sculptures Sculptures Nude Bronze Skulpturen Wilhelm Lehmbruck 0 0 1 1 dunkel frau Lehmbruck, Wilhelm 0 0 0 0 0 0 0 1 2009-04-14 00:00:00 500 500 500 0 1 /Sculptures /Sculptures/Discover Sculptures /Artists /Artists/Detailseite (Produktlisting) /Sculptures/Materials /Sculptures/Materials/Bronze /Sculptures/Genre /Sculptures/Genre/Nude Sculptures /Sculptures/Discover Sculptures/All Sculptures /Recommendations /Recommendations/Gift Ideas /Recommendations/Gift Ideas/Available for Immediate Delivery /LP /Sculptures/Epochs /Sculptures/Epochs/20th Century /intern /LP/Family /LP/Objects Available for Immediate Delivery /intern/Produkte /LP/Alle Objekte 01a0240f499d77f78945829875c498ea 185b411b7151469a981b743b38d39c03 1f9791f0aac5457dad1bcae1b3914e31 2af41d9a30aa445d8741793382592b79 31cf1d42c14c4bca91752447e090be2e 3d827f4255cb437ebb1c730e93118388 6b559e0bb5324099bc41663fdbcc80e5 7e1e85f7c2da4a26ab34c085b05ec258 96ed9bdfc8f2485c87a9dd1db8deb05b 983bd433d5ed47a88825d6f413456cae 9c1cbd6ad7bd470d9770db0c496c7a56 a20a5c1cf2d64255a0863af399a334af ae927fb384a34d5eb42b6396bb9c964e b6d0490f8a9b4a57831647ea368b66b4 bbe567dcab634d26a647b18043e24832 c7a8204c5bd64dcb872f7fdefc4fcb8c db6148ea99ca4fa0b1aa92397c1c4711 ec6ad1e0e57540e58d7b7bf4b0b7f4a4 f17d6493f0f744ecb31b3a2d1a96eef6 fb89ca270db74440b1ca873b20879c81 fda632c426c24bf8aebfb826dc028741 fda632c426c24bf8aebfb826dc028741 ae927fb384a34d5eb42b6396bb9c964e db6148ea99ca4fa0b1aa92397c1c4711 ec6ad1e0e57540e58d7b7bf4b0b7f4a4 c7a8204c5bd64dcb872f7fdefc4fcb8c 01a0240f499d77f78945829875c498ea 9c1cbd6ad7bd470d9770db0c496c7a56 983bd433d5ed47a88825d6f413456cae bbe567dcab634d26a647b18043e24832 6b559e0bb5324099bc41663fdbcc80e5 96ed9bdfc8f2485c87a9dd1db8deb05b Wilhelm Lehmbruck The theme of "Mother and Child" occupied Lehmbruck throughout his whole life. The 1907 version is a central work of his first Paris exhibition. It shows the mother as a happy, loving woman and is still clearly indebted to classical sculpture. Lehmbruck's outstanding sense of size and proportion already heralds the sculptural condensation of later works. Lehmbruck created the sculpture after his first trip to Italy, and its Pietà gesture was probably inspired by the Old Masters admired there. Sculptor's model after the original, size 25.5 x 26 x 22 cm (w/h/d). Edition in fine bronze. Cast using the Lost-Wax-Process, patinated and polished by hand. Weight approx. 8.4 kg. 3307.56 bronze | patinated | polished | size 25.5 x 26 x 22 cm (w/h/d) | weight approx. 8.4 kg https://www.arsmundi.de/media/8d/55/44/1619633732/705888_2.jpg?ts=1782824720 https://www.arsmundi.de/media/b5/4b/e7/1619633732/705888_3.jpg?ts=1782824720