Picture "Aloha Mountain II" (2025) (Unique piece)
Picture "Aloha Mountain II" (2025) (Unique piece)
Quick info
unique piece | signed | dated | titled | mixed media on ceramic | unframed | size 60 x 60 cm
Detailed description
Picture "Aloha Mountain II" (2025) (Unique piece)
Acrylic, ink and varnish on ceramic, 2025. Signed, dated and titled on the back. Unframed. Motif size/format 60 x 60 cm.
Producer: ars mundi Edition Max Büchner GmbH, Bödekerstraße 13, 30161 Hanover, Germany, [email protected]
About Zyko78
Zyko78 (*1979) has been artistically active in urban space since the mid-1990s.
His works incorporate techniques and materials from both graffiti and ink painting.
After a long station in Berlin, a stay of several years in Beijing (China) brings him into contact with Asian painting. Especially the Chinese calligraphy and ink painting, whose essence lies in the spontaneous expressive painting style have taken the artist.
In his ceramic paintings, Zyko78 breaks away from the classic painting canvas and seeks a new material aesthetic. Through the alternating application and renewed removal of layers of paint, peculiar optical effects are created. Informel and its gestural, chance-influenced aesthetic are the inspiration here.
Zyko78 was a participant in various urban art projects, including Walllords Shanghai, 40Grad Urbanart Festival Düsseldorf, Hafendampf Essen, Urban Nature Hannover.
Graphic artwork in the making of which the artist combines at least two graphic production techniques.
A one-of-a-kind or unique piece is a work of art personally created by the artist. It exists only once due to the type of production (oil painting, watercolour, drawing, lost-wax sculpture etc.).
In addition to the classic unique pieces, there are also the so-called "serial unique pieces". They present a series of works with the same colour, motif and technique, manually prepared by the same artist. The serial unique pieces are rooted in "serial art", a genre of modern art that aims to create an aesthetic effect through series, repetitions, and variations of the same objects or themes or a system of constant and variable elements or principles.
The historical starting point is considered to be Claude Monet's "Les Meules" (1890/1891), where, for the first time, a series was created that went beyond a mere group of works. The other artists, who addressed to the serial art, include Claude Monet, Piet Mondrian and above all Gerhard Richter.