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Andy Warhol:
Picture "Man Ray" (1974)
Picture "Man Ray" (1974) by Andy Warhol
Picture "Man Ray" (1974) by Andy Warhol
Proportional view
Picture "Man Ray" (1974)
Andy Warhol:
Picture "Man Ray" (1974)

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limited, 100 copies | signed | numbered | dated | colour serigraph on paper | framed | size 88 x 88 cm

Price upon request
Product no. IN-889419.R1
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Picture "Man Ray" (1974)
Andy Warhol: Picture "Man Ray" (1974)
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Detailed description

Picture "Man Ray" (1974)

Paris, November 1973 - The Italian art dealer Luciano Anselmino introduced perhaps the most famous living artist at the time, Andy Warhol, to a legend of Surrealist photography, his compatriot Man Ray. Since returning from wartime exile in the United States in 1951, Man Ray had been living again in the city where he had moved in Dadaist circles in the 1920s and 1930s, creating a body of work that would profoundly influence Warhol.

Warhol spent an entire day in Man Ray’s studio apartment in the sixth arrondissement of Paris. The two artists photographed each other, and Warhol also made several sketches. In his memoirs, Warhol recounts that he managed to take only ten photos before Man Ray put a cigar in his mouth, making the then eighty-three-year-old appear particularly frail. Warhol’s portrait of his artistic idol captivates with the gestural brushwork he applied to the photographic image. The dynamic application of paint is echoed in the silkscreen, lending the work an unusual yet compelling painterly quality.

Original screenprint, 1974. Edition: 100 copies on Strathmore Bristol paper, signed, numbered and dated on the back. Motif size/sheet size 80 x 80 cm. Size in frame 88 x 88 cm as shown.

Producer: ars mundi Edition Max Büchner GmbH, Bödekerstraße 13, 30161 Hanover, Germany, [email protected]

A black-and-white photograph of the Pop Art artist Andy Warhol, wearing a leather jacket, standing next to a vintage film camera.

About Andy Warhol

1928-1987

Andy Warhol was America's most famous artist. He was considered a revolutionary, eccentric and inventor of Pop Art, all at once. Art critics praise him with titles that have never been bestowed on any artist before - not even Pablo Picasso or Salvador Dali. Alfred Nemeczek comments: "They (the praises) ranged from "pop star" to "pop artist", elevated the "pop genius" to "pop prince" to "prince of pop" and further up to "pop king", "pop tsar" and "grand mogul". But the "Picasso of Pop-art" has also been baptised as "High Priest" and "Pope of Pop"." (Artists - Critical Encyclopedia of Contemporary Art)

Warhol was born in Pittsburgh in 1928 and died in New York in 1987. After high school, the son of Czech immigrants went to the Carnegie Institute of Technology in Pittsburgh as a working student. In 1949, he settled in New York and three years later he made his debut with his work at the Hugo Gallery. Until that time, he was working as a commercial artist for fashion magazines, designing Christmas cards, LP covers and weather maps for television. Shortly afterwards, however, the artist had the idea of placing everyday objects at the centre of his pictorial motifs. Using the medium of graphic art, he created coveted cult objects.

Some of his best-known works include the silkscreen paintings of the red and white Campbell soup cans and the two-dollar bill. With these works, Warhol radically broke with art tradition in the USA and England from the 1950s onwards and is considered one of the leading figures in the new art movement, called Pop Art.

Alongside Warhol, Roy Lichtenstein and Tom Wesselman are American representatives who looked for their pictorial themes in the world of advertising, comics and Hollywood superstars. Elvis Presley, Jackie Kennedy and Marilyn Monroe became icons in Warhol's pictorial repertoire.

Transforming everyday objects into works of art allows them to receive a certain level of attention that they never receive as things that are used over and over again. Warhol's way of photographically reproducing the object demanded that the object itself and nothing else must achieve an effect. The works in which he implemented repetitions of the same motif also require this, but they have an additional effect through the colourful rearrangements.

The artist sees the world as it is and represents it: "I am extraordinarily passive. I take things as they are. I just watch, I observe the world."

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The field of graphic arts, that includes artistic representations, which are reproduced by various printing techniques.

Printmaking techniques include woodcuts, copperplate engraving, etching, lithography, serigraphy, among others.

In the early 1950s, a movement took over the cultural scene. Young artists from the U.S. and the UK independently broke with all traditions of artistic creativity, giving rise to a new art movement in modern art.

In the U.S., Roy Lichtenstein, Andy Warhol, Tom Wesselmann, and James Rosenquist who were seeking their themes in the world of advertising and comics, in star cult and anonymous urban culture. With bright colours, over dimensioning and manipulating depth perspective, they created new provocative works. Richard Hamilton and Eduardo Paolozzi became pioneers of Pop Art in England through the famous "This is Tomorrow" at London's Whitechapel Art Gallery. In the 1960s, they were followed by David Hockney, Allan Jones, Peter Phillips and Derek Boshier.

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The object in the size ratio of 1.70 m

88 x 88 cm

88 x 88 cm

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IN-889419.R1 Picture "Man Ray" (1974) https://www.arsmundi.de/en/andy-warhol-picture-man-ray-1974-889419-r1/ https://www.arsmundi.de/thumbnails/f0/3b/a8/1595406909/889419.R1_1_320x320.jpg https://www.arsmundi.de/thumbnails/f0/3b/a8/1595406909/889419.R1_1_320x320.jpg OutOfStock 37210.08 EUR 889419.R1 00000000000000000000000999870114 Graphic prints 20th Century|20th Cent. - Pop Art Warhol, Andy Porträts Prints Silk screens|Graphic prints Bilder Portraits Portraits 20th century 20th century red Pictures Portraits Graphic prints Pictures Andy Warhol 0 0 0 0 rot 889419R1 Warhol, Andy 0 0 1 0 0 0 0 1 2025-08-27 00:00:00 277 250 250 0 Price upon request 1 /LP /LP/Art Prints by Famous Artists /Pictures /Pictures/Discover Images /Pictures/Discover Images/Limited Editions /Artists /Artists/Detailseite (Produktlisting) /Pictures/Techniques /Pictures/Techniques/Prints /Pictures/Epochs /Pictures/Motifs /Pictures/Discover Images/All Pictures /intern /Pictures/Motifs/Portraits /Pictures/High-Caliber Pieces /Pictures/Epochs/Pop Art /intern/Produkte /LP/Alle Objekte 019fdb1063997e1588c98f5f4c8a2445 01a02365b7067144a3ee4da39ae93f83 01a023c7ef117de8bb9324a52d83d581 110002d4ac55449bb1be0348d71f2396 185b411b7151469a981b743b38d39c03 2ca901f40b3f43ec930aeff6a32de376 40aa17d90d294482839b164bf0a93a02 5ee7d22ed1da476fa00425f0550481fd 6316309f502147a288172856026d5fc8 6b559e0bb5324099bc41663fdbcc80e5 88dfe7ddac2a4a439c55836deca17f86 96ed9bdfc8f2485c87a9dd1db8deb05b b83c104b43b24bd7b155684d5b7b0746 cff4f2cea5c14f2f8e1d3c43245fa881 d84dba9c7b3a44b2a1ba60a78bea6ed1 db6148ea99ca4fa0b1aa92397c1c4711 f17d6493f0f744ecb31b3a2d1a96eef6 fb89ca270db74440b1ca873b20879c81 fda632c426c24bf8aebfb826dc028741 fda632c426c24bf8aebfb826dc028741 6b559e0bb5324099bc41663fdbcc80e5 110002d4ac55449bb1be0348d71f2396 01a02365b7067144a3ee4da39ae93f83 db6148ea99ca4fa0b1aa92397c1c4711 40aa17d90d294482839b164bf0a93a02 6316309f502147a288172856026d5fc8 5ee7d22ed1da476fa00425f0550481fd 96ed9bdfc8f2485c87a9dd1db8deb05b Andy Warhol Paris, November 1973 - The Italian art dealer Luciano Anselmino introduced perhaps the most famous living artist at the time, Andy Warhol, to a legend of Surrealist photography, his compatriot Man Ray. Since returning from wartime exile in the United States in 1951, Man Ray had been living again in the city where he had moved in Dadaist circles in the 1920s and 1930s, creating a body of work that would profoundly influence Warhol. Warhol spent an entire day in Man Ray’s studio apartment in the sixth arrondissement of Paris. The two artists photographed each other, and Warhol also made several sketches. In his memoirs, Warhol recounts that he managed to take only ten photos before Man Ray put a cigar in his mouth, making the then eighty-three-year-old appear particularly frail. Warhol’s portrait of his artistic idol captivates with the gestural brushwork he applied to the photographic image. The dynamic application of paint is echoed in the silkscreen, lending the work an unusual yet compelling painterly quality. Original screenprint, 1974. Edition: 100 copies on Strathmore Bristol paper, signed, numbered and dated on the back. Motif size/sheet size 80 x 80 cm. Size in frame 88 x 88 cm as shown. 37210.08 limited, 100 copies | signed | numbered | dated | colour serigraph on paper | framed | size 88 x 88 cm