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Claude Monet:
Picture "Waterloo Bridge, Sunlight Effect" (1903)
Picture "Waterloo Bridge, Sunlight Effect" (1903) by Claude Monet
Picture "Waterloo Bridge, Sunlight Effect" (1903) by Claude Monet
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Picture "Waterloo Bridge, Sunlight Effect" (1903)
Claude Monet:
Picture "Waterloo Bridge, Sunlight Effect" (1903)

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ars mundi Exclusive Edition | limited, 980 copies | numbered | certificate | reproduction on aluminium plate | size 45 x 70 cm (h/w) | suspension device

€330.76

incl. tax plus Shipping

Product no. IN-958895

Delivery time: approx. 2 weeks

Picture "Waterloo Bridge, Sunlight Effect" (1903)
Claude Monet: Picture "Waterloo Bridge, Sunlight Effect"...
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Detailed description

Picture "Waterloo Bridge, Sunlight Effect" (1903)

Original: 1903, oil on canvas, 65.7 x 101 cm, privately owned.

Edition on aluminium plate. Limited to 980 copies and numbered. Certificate included. Size 45 x 70 cm (h/w). With suspension device. ars mundi Exclusive Edition.

Producer: ars mundi Edition Max Büchner GmbH, Bödekerstraße 13, 30161 Hanover, Germany, [email protected]

A historical black-and-white photograph of the painter Claude Monet in a dark suit, sporting a very long full beard.

About Claude Monet

1840-1926

The art of Claude Monet is the epitome of Impressionism. During his long life as a painter, he was tirelessly searching for new ways to depict the variability of light and colour in many various atmospheric variations and at different times of the day.

Monet was born in Paris, but grew up in Le Havre, on the Normandy coast, where his father ran a small grocery shop. He made his early artistic attempts with caricatures but then switched to open-air painting. Light pastel tones found their way onto his canvases. His paintings were repeatedly rejected by the official Paris Salon, but Monet and his friends Auguste Renoir and Alfred Sisley were not discouraged. On their joint excursions to Fontainebleau, they created magnificent fresh paintings in the open air that left the strict academic rules further and further behind.

However, severe financial crises hit Monet and his pregnant beloved Camille. During the Franco-Prussian War, Monet fled to London with his young family. After the war, they settled in Argenteuil. This small town outside Paris, picturesquely situated along the Seine, became the centre of attraction for a whole series of Impressionist painters: Edouard Manet, Gustave Caillebotte, Camille Pissarro, Auguste Renoir and Alfred Sisley met there to capture their impressions on canvas. In the group's first independent exhibition, a painting by Monet entitled "Impression. Sunrise" gave the art movement its name.

After Camille's death, Monet moved to Giverny with his second wife Alice. Here he was able to realise his lifelong dream of having his own garden, designed by himself: The flowering garden with its Japanese bridges and ponds full of water lilies inspired Monet constantly to create new, ever larger paintings showing the changing plant life as an overwhelming decorative harmony of nature.

This estate, which was bequeathed by Monet's son to the Academié des Beaux-Art in 1966 and is open to the public through the "Claude Monet Foundation" since 1980, was an inexhaustible source of inspiration for him. Today, the garden in Giverny is a destination valued many art lovers. Anyone who visits it feels immediately transported into the artist's pictorial world. In spring, colourful blossoms are all over the place, and while looking at the real water lily ponds that Monet painted over and over again, visitors are amazed at how precisely he captured the scenery, despite all his artistic idiosyncrasies. "On my garden I work continuously and with love, most of all I need flowers, always, always. My heart is always in Giverny. A separation from Giverny would hit me hard ... never again would I find such a beautiful place." And he never had to separate with his garden; Monet died in his beloved Giverny on 5 December 1926.

Monet has been called the inventor of colourful dreams beyond the visible. But he was much more, always seeking to realise his idea of painting in the open air - en plein air. For his painting, the decisive factor was always how he sees, not what he sees.

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A form of presentation favoured by professional photographers and exhibition organizers. Increasingly, artists are creating works for this carrier made of high-tech composite aluminium. The metallic surface creates a synthesis with the colours. White areas of the image are shimmering matt-metallic, depending on the light source, giving the image an elegant and puristic appearance. Thanks to the direct colour pigmentation the details are depicted precisely. Alu-Dibond is long-lasting and resistant.

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The style of Impressionism, which emerged in French painting around 1870, owes its name to Claude Monet's landscape 'Impression, Soleil Levant'. After initial rejection, it began a veritable triumphal procession.

Painters such as Claude Monet, Edgar Degas, Edouard Manet, Auguste Renoir and others created motifs from everyday life, urban and landscape scenes in bright, natural light.

Impressionism can be seen as a reaction to academic painting. Rather than emphasizing content with a structured composition, it focused on the subject as it appears in the moment, often in a seemingly random snapshot. The reality was seen in all its variety of colours in natural lighting. Outdoor painting replaced studio painting.

Through the brightening of the palette and the dissolution of firm contours, a new approach to colour emerged. In many cases, the colours were no longer mixed on the palette but placed side by side on the canvas, so that the final impression emerged in the eye of the viewer with a certain distance. In "Pointillism", (with painters such as Georges Seurat or Paul Signac), this principle was taken to the extreme.

Outside France, Impressionism was taken up by painters such as Max Slevogt, Max Liebermann and Lovis Corinth in Germany, and by James A. M. Whistler in the United States.

However, Impressionism was only expressed to a limited extent in the art of sculpture. In the works of Auguste Rodin, who is considered one of the main representatives, a dissolution of surfaces is evident, in which the play of light and shadow is included in the artistic expression. Degas and Renoir created sculptures as well.

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The object in the size ratio of 1.70 m

45 x 70 cm

45 x 70 cm

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IN-958895 Picture "Waterloo Bridge, Sunlight Effect" (1903) https://www.arsmundi.de/en/claude-monet-picture-waterloo-bridge-sunlight-effect-1903-958895/ https://www.arsmundi.de/thumbnails/d1/24/42/1773139815/958895_1_320x320.jpg https://www.arsmundi.de/thumbnails/d1/24/42/1773139815/958895_1_320x320.jpg InStock 330.76 EUR 958895 00000000000000000000000999905721 City and Architecture Special editions|Pictures blue City and architecture Alu-Dibond City and architecture Bilder 19th century/ca. 1900 19th century/ca. 1900 Alu-Dibond 19th Cent. - Impressionism|19th century / around 1900 Pictures Stadt und Architektur Alu-Dibond Monet, Claude Claude Monet 0 0 1 0 blau kunstdruck|kunstdrucke|brücke|nebel|themse|london|england|großbritannien Monet, Claude 0 1 1 0 0 0 0 1 2026-03-10 00:00:00 287 250 250 0 1 /LP /LP/French Impressionist painters /LP/Art Prints by Famous Artists /Pictures /Pictures/Discover Images /Pictures/Discover Images/Limited Editions /Artists /Artists/Detailseite (Produktlisting) /Pictures/Motifs /Pictures/Motifs/City and Architecture /Pictures/Techniques /Pictures/Epochs /Pictures/Discover Images/All Pictures /LP/French artists /intern /Pictures/Techniques/Alu-Dibond /Pictures/Epochs/Impressionism /Pictures/Discover Images/Exclusive Editions /intern/Produkte /LP/Alle Objekte 019ce1d2777b7537bc1e5b9f358ba5f3 019fdb1063997e1588c98f5f4c8a2445 01a02365b7067144a3ee4da39ae93f83 01a023c7ef117de8bb9324a52d83d581 110002d4ac55449bb1be0348d71f2396 185b411b7151469a981b743b38d39c03 360cd874b3e645968d7f25e5355068a9 40aa17d90d294482839b164bf0a93a02 5ee7d22ed1da476fa00425f0550481fd 6316309f502147a288172856026d5fc8 6b559e0bb5324099bc41663fdbcc80e5 88dfe7ddac2a4a439c55836deca17f86 8c94174ae06c44219b6c2134d0eb3401 96ed9bdfc8f2485c87a9dd1db8deb05b 9dad124bdcd240e0b0fcbcf6e8eb483d b9c8c829dac24c79baf6cc06347fa56b d766df25bb924e2f9c4006891fb54abe db6148ea99ca4fa0b1aa92397c1c4711 f17d6493f0f744ecb31b3a2d1a96eef6 fb89ca270db74440b1ca873b20879c81 fda632c426c24bf8aebfb826dc028741 fda632c426c24bf8aebfb826dc028741 6b559e0bb5324099bc41663fdbcc80e5 110002d4ac55449bb1be0348d71f2396 01a02365b7067144a3ee4da39ae93f83 db6148ea99ca4fa0b1aa92397c1c4711 6316309f502147a288172856026d5fc8 40aa17d90d294482839b164bf0a93a02 5ee7d22ed1da476fa00425f0550481fd 96ed9bdfc8f2485c87a9dd1db8deb05b Claude Monet Original: 1903, oil on canvas, 65.7 x 101 cm, privately owned. Edition on aluminium plate. Limited to 980 copies and numbered. Certificate included. Size 45 x 70 cm (h/w). With suspension device. ars mundi Exclusive Edition. 330.76 ars mundi Exclusive Edition | limited, 980 copies | numbered | certificate | reproduction on aluminium plate | size 45 x 70 cm (h/w) | suspension device