Sculpture pair "Scenes from a Marriage, She & He", cast version, hand-painted
Sculpture pair "Scenes from a Marriage, She & He", cast version, hand-painted
Quick info
ars mundi Exclusive Edition | limited, 980 copies | numbered | signed | hallmarked | certificate | cast | hand-painted | "she": size 6.5 x 8 x 17.5 cm, weight approx. 0.5 kg | "he": size 6.5 x 9 x 18.5 cm, weight approx. 0.6 kg
Detailed description
Sculpture pair "Scenes from a Marriage, She & He", cast version, hand-painted
Without a doubt, Bernhard-Viktor Christoph-Carl von Bülow, alias Loriot, was the grand seigneur of German humour. He was an exceptionally keen observer. His particular interest was everyday life. His work depicts ordinary people in ordinary situations who, despite the best intentions, become entangled in hopelessly complicated confusion through minor misunderstandings or fail in conversation with one another.
This is often the case in Loriot's "Scenes from a Marriage", which are available as sketches in book form, as animated films and occasionally even as stage productions. The debate about the cooking time of a breakfast egg or the "correct" way to spend the evening counts among Loriot’s most famous works. Yet for all the friction, husband and wife are always a well-rehearsed team: he explains at length, she questions patiently. In the end, however, the realisation remains that without the other there would be less chaos, but decidedly less to laugh about.
Loriot has captured this idea, as it were, in our edition "Scenes from a Marriage": what matters is a relationship on equal footing, blind trust in one another and the willingness to face situations together with courage.
Edition in resin, hand-painted. Limited edition of 980 copies, numbered, signed and hallmarked with the ars mundi stamp. With numbered certificate of authenticity and limitation. "She": size 6.5 x 8 x 17.5 cm (h/w/d), weight approx. 0.5 kg. "He": size 6.5 x 9 x 18.5 cm (h/w/d), weight approx. 0.6 kg. ar mundi Exclusive Edition.
Producer: ars mundi Edition Max Büchner GmbH, Bödekerstraße 13, 30161 Hanover, Germany, [email protected]
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About Loriot
1923-2011, a german draughtsman, cartoonist, author, humourist, opera director
He won several german "golden" awards: two Golden Cameras, two Golden Records, the Golden Screen, the Golden Gramophone and the Golden Lion of Honour. Not to mention the Ernst Lubitsch and Adolph Grimme prizes, the Telestar or the Sonderbambi... He was awarded the Order of Merit of the Federal Republic of Germany for his special services.
Loriot is best known for his cartoons and sketches with the characters feature of bulbous noses. For example, two popular characters are Mr Müller-Lüdenscheid and Dr Klöbner, who - unawares - get into the same hotel bathtub and argue so delightful about whether the rubber duck should be allowed in the water or not... In his books, Loriot has dealt intensively with the passage of time. "Loriot's Diary - Zeitgeschehen von Meisterhand" or "Loriot's Heile Welt - Neue gesammelte Texte und Zeichnungen zu brennenden Fragen der Zeit" are just two out of many examples.
Vicco von Bülow, alias Loriot, was without a doubt the "grand seigneur" of German humour. His sketches are often known by heart by a lot of people and no matter the art he was creating - whether as a caricaturist, a humourist, an actor or director - he always achieved something special and memorable.
"Comedy, as I understand it, always deals with self-irony, otherwise something is missing. You have to include yourself." This is the secret to his success and noticeable in all his works. That‘s why his humour is never disparaging, never hurtful. Loriot was always extremely tender even with the characters in his most accurate parodies and precisely observed exposures of middle-class narrow-mindedness. Loriot’s humour, one could say, is not a sharp dagger for grim confrontations, but a fine scalpel that ultimately works towards healing the world with every cut.
The "grand seigneur" of German humour died in August 2011.
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Collective term for all casting processes that ars mundi carries out with the help of specialised art foundries.
Stone Casting
Similar to artificial marble, with the difference that instead of marble powder, the stone to be replicated is used in powder form.
Bonded Bronze (Cold-Cast-Bronze)
Bronze powder is polymer-bonded. Through special polishing and patination techniques, the surface of the cast takes on an appearance similar to that of bronze.
Imitation Wood
In order to guarantee absolute fidelity to the original, an artificially manufactured imitation wood is used as a base material that features typical wood characteristics: density, workability, colour, and surface structure.
Ceramic Mould Casting
Ceramic mould casting usually requires the use of casting clay, which is then fired and optionally glazed. Instead of the usual rubber moulds, plaster moulds are often used in ceramic casting and porcelain production.
Cast Bronze (Lost-Wax-Casting)
For the cast bronze, the thousand-year-old lost-wax technique is used. It's the best, but also the most complex method of producing sculptures.
Term for an art object (sculpture, installation) that, according to the artist’s intention, is produced in multiple copies within a limited and numbered edition.
Multiples enable the "democratization" of art by making the work accessible and affordable for a wider audience.
A plastic work of sculptural art made of wood, stone, ivory, bronze or other metals.
While sculptures made of wood, ivory, or stone are carved directly from the material block, in bronze casting, a working model is prepared at first. Usually, it is made of clay or other easily mouldable materials.
The prime time of sculpture after the Greek and Roman antiquity was the Renaissance. Impressionism gave a new impulse to the sculptural arts. Contemporary artists such as Jorg Immendorf, Andora, and Markus Lupertz also enriched sculptures with outstanding works.