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Max Pechstein:
Picture "Riverscape" (around 1907), black and golden framed version
Picture "Riverscape" (around 1907), black and golden framed version by Max Pechstein
Picture "Riverscape" (around 1907), black and golden framed version by Max Pechstein
Picture "Riverscape" (around 1907), black and golden framed version by Max Pechstein
Picture "Riverscape" (around 1907), black and golden framed version by Max Pechstein
Picture "Riverscape" (around 1907), black and golden framed version by Max Pechstein
Picture "Riverscape" (around 1907), black and golden framed version by Max Pechstein
Picture "Riverscape" (around 1907), black and golden framed version by Max Pechstein
Picture "Riverscape" (around 1907), black and golden framed version by Max Pechstein
Picture "Riverscape" (around 1907), black and golden framed version by Max Pechstein
Picture "Riverscape" (around 1907), black and golden framed version by Max Pechstein
Picture "Riverscape" (around 1907), black and golden framed version by Max Pechstein
Picture "Riverscape" (around 1907), black and golden framed version by Max Pechstein
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Picture "Riverscape" (around 1907), black and golden framed version
Max Pechstein:
Picture "Riverscape" (around 1907), black and golden framed version

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ars mundi Exclusive Edition | limited, 199 copies | numbered | certificate | reproduction, Giclée print on canvas | on stretcher frame | framed | size 56.5 x 70.5 cm (h/w)

€661.51

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Product no. IN-922524

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Picture "Riverscape" (around 1907), black and golden framed version
Max Pechstein: Picture "Riverscape" (around 1907), black...
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Detailed description

Picture "Riverscape" (around 1907), black and golden framed version

Max Pechstein was the only painter of the artist group "Brücke" who had an academic education. In 1906, he graduated from the Art Academy in Dresden. He left the academy with the Saxon State Prize. During his time as a member of the "Brücke" (1906-1912), he was the most successful: art critics and the press liked to highlight his works for the "Brücke" exhibitions (and Franz Marc jokingly called his fellow painter "little Napoleon of the Berlin artistic community").

In the following year, the State Prize (also known as the "Rome Prize" because it included a three-month stay in the eternal city) enabled Pechstein to travel extensively, taking him not only to Rome but also to Florence and Ravenna. He subsequently visited Paris, where he discovered the works of Cézanne, Gauguin and Matisse in particular. Both the southern Italian sun and his encounter with the French Post-Impressionists left their mark on his work "Riverscape".

Original: around 1907, oil on canvas, 53 x 68 cm, Museum Folkwang, Essen.
Edition transferred directly onto artist's canvas using the Fine Art Giclée process and stretched onto a stretcher frame. Limited edition of 199 copies, numbered, with certificate. Framed in handmade, black and golden solid wood frame. Size 56.5 x 70.5 cm (h/w). ars mundi Exclusive Edition. © Museum Folkwang Essen - ARTOTHEK. © 2022 Pechstein Hamburg / Preetz.

Producer: ars mundi Edition Max Büchner GmbH, Bödekerstraße 13, 30161 Hanover, Germany, [email protected]

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A historical black-and-white close-up portrait of the painter Max Pechstein, looking towards the camera.

About Max Pechstein

1881-1955

Max Pechstein is considered today, as he was then, one of the most important representatives of German Expressionism. In spring 1906, he joined the artists' group "Die Brücke", which had been founded the previous year by Kirchner, Heckel, Schmidt-Rottluff and Bleyl. In the field of graphic art, he produced an oeuvre of over 850 woodcuts, lithographs and etchings in addition to his paintings.

What Tahiti was to Paul Gauguin, the Baltic Sea coast was to Max Pechstein: a paradise where he found peace, but above all great inspiration. From 1909 onwards, he travelled several times to Nidden on the Curonian Spit, where Lovis Corinth had worked as a young art student more than a quarter of a century earlier. However, when the Treaty of Versailles placed the Curonian Spit under Allied administration in 1920, the way there was blocked. In his own words, Pechstein had to "once again go in search of a spot of earth that was not overrun by painters, tourists and bathers". He found it in Leba, where from then on he spent his summers on a regular basis.

"For more than twenty years Max Pechstein went to the Baltic coast every summer, first to the Curonian Spit, then to Pomerania, which naturally connected him closely to our house. When he rented a room here with his first wife in 1921, he had no idea how attached he would soon feel to the small harbour town of Leba, for he fell in love with Marta Möller, the daughter of his innkeeper. The pristine nature with its beach lakes and the fishing boats in the harbour, the pipe in his mouth, tanned and the anchor tattooed, those things stayed with the passionate angler Pechstein until the end of his life, even when he and his wife could no longer go to Pomerania after the Second World War." (Dr. Birte Frenssen, Deputy Director at the Pomeranian State Museum in Greifswald)

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Graphic or sculpture edition that was initiated by ars mundi and is available only at ars mundi or at distribution partners licensed by ars mundi.

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Artistic movement that replaced Impressionism in the early 20th century.

Expressionism is the German form of the art revolution in painting, graphic art and sculpture, with its precursors found in the works of Paul Cézanne, Vincent van Gogh, and Paul Gauguin at the end of the 19th century. The expressionists sought to reach the fundamental elements of painting. Using vibrant, unbroken colours in large areas, emphasising lines, and aiming for suggestive expressiveness, they fought against the artistic taste established by the bourgeoisie.

The most important representatives of Expressionism were the founders of "Die Brücke": Ernst Ludwig Kirchner, Erich Heckel, Karl Schmidt-Rottluff, Max Pechstein, Otto Mueller and Franz Marc, August Macke and others.

Masters of Viennese Expressionism are Egon Schiele and Oskar Kokoschka. Among sculptors, Ernst Barlach is the most famous.

Fauvism is the French form of Expressionism.

Giclée = derived from the French verb gicler "to squirt, to spray".

The Giclée method is a digital printing process. It is a high-resolution, large-format print produced with an inkjet printer using special different-coloured dye- or pigment-based inks (usually six to twelve). The inks are lightfast, meaning they are resistant to harmful UV light. They provide a high level of nuance, contrast, and saturation.

The Giclée process is suitable for art canvases, handmade paper and watercolour paper as well as silk.

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IN-922524 Picture "Riverscape" (around 1907), black and golden framed version https://www.arsmundi.de/en/max-pechstein-picture-riverscape-around-1907-black-and-golden-framed-version-922524/ https://www.arsmundi.de/thumbnails/83/5c/44/1622095618/922524_1_320x320.jpg https://www.arsmundi.de/thumbnails/83/5c/44/1622095618/922524_1_320x320.jpg InStock 661.51 EUR 922524 00000000000000000000000999879843 Framing 1 Sea/Seafaring 20th Century|20th Cent. - Expressionism Sea / Seafaring Giclée Special editions|Pictures blue|yellow|orange Sea/Seafaring Bilder Meer / Seefahrt Pechstein, Max Giclée 20th century 20th century Pictures Giclée {"extensions":[],"displayParent":null,"mainVariantId":"00000000000000000000000999879843","configuratorGroupConfig":null,"displayCheapestVariant":null,"displayMainVariant":null} Max Pechstein 0 0 1 1 gelb|blau|orange kunstdruck|kunstdrucke Pechstein, Max 0 1 1 1 0 0 1 1 2021-05-26 00:00:00 500 500 500 0 IN-922524|IN-922527 1 /LP /LP/Art Prints by Famous Artists /Pictures /Pictures/Discover Images /Pictures/Discover Images/Limited Editions /Service /Service/Guide /Artists /Artists/Detailseite (Produktlisting) /Service/Guide/Works of Art from Renowned Museums /Service/Guide/Museum Editions /Service/Guide/Museum Editions/Artist Edition Pechstein /Service/Guide/Works of Art from Renowned Museums/Museum Folkwang, Essen /Recommendations /Recommendations/Gift Ideas /Recommendations/Gift Ideas/Available for Immediate Delivery /Pictures/Techniques /Pictures/Epochs /Pictures/Epochs/Expressionism /Pictures/Motifs /Pictures/Techniques/Giclée /LP/Artists' Association "Die Brücke" /Pictures/Discover Images/All Pictures /intern /LP/Objects Available for Immediate Delivery /Pictures/Discover Images/Exclusive Editions /Pictures/Motifs/Sea and Seafaring /intern/Produkte /LP/Alle Objekte 019fdb1063997e1588c98f5f4c8a2445 01a02365b7067144a3ee4da39ae93f83 01a023c7ef117de8bb9324a52d83d581 01a03440599370709351820f53398e26 110002d4ac55449bb1be0348d71f2396 185b411b7151469a981b743b38d39c03 1f041a79f2b6403b8eae5a6987432c47 259af147d4444692971163c71855030c 2a3c624a18d34d3883081d2835430917 3d827f4255cb437ebb1c730e93118388 40aa17d90d294482839b164bf0a93a02 4bfe58946e0148a08b59ff7df6c9e3e0 5ee7d22ed1da476fa00425f0550481fd 6316309f502147a288172856026d5fc8 6348b526c7b946cbac3a6bf68dd53a66 65c2edce4a2146d99106749578cd35a1 6b559e0bb5324099bc41663fdbcc80e5 77510865059340afa3e0c1806f0ccb75 88dfe7ddac2a4a439c55836deca17f86 96ed9bdfc8f2485c87a9dd1db8deb05b 983bd433d5ed47a88825d6f413456cae 9c1cbd6ad7bd470d9770db0c496c7a56 ad8ad6e054aa442da969bf7765100bec b6d0490f8a9b4a57831647ea368b66b4 d766df25bb924e2f9c4006891fb54abe d7989d88d569469a8e064ffafc119f96 db6148ea99ca4fa0b1aa92397c1c4711 f17d6493f0f744ecb31b3a2d1a96eef6 fb89ca270db74440b1ca873b20879c81 fda632c426c24bf8aebfb826dc028741 fda632c426c24bf8aebfb826dc028741 6b559e0bb5324099bc41663fdbcc80e5 110002d4ac55449bb1be0348d71f2396 01a02365b7067144a3ee4da39ae93f83 ad8ad6e054aa442da969bf7765100bec db6148ea99ca4fa0b1aa92397c1c4711 01a03440599370709351820f53398e26 65c2edce4a2146d99106749578cd35a1 1f041a79f2b6403b8eae5a6987432c47 9c1cbd6ad7bd470d9770db0c496c7a56 983bd433d5ed47a88825d6f413456cae 5ee7d22ed1da476fa00425f0550481fd 40aa17d90d294482839b164bf0a93a02 6316309f502147a288172856026d5fc8 96ed9bdfc8f2485c87a9dd1db8deb05b Max Pechstein Max Pechstein was the only painter of the artist group "Brücke" who had an academic education. In 1906, he graduated from the Art Academy in Dresden. He left the academy with the Saxon State Prize. During his time as a member of the "Brücke" (1906-1912), he was the most successful: art critics and the press liked to highlight his works for the "Brücke" exhibitions (and Franz Marc jokingly called his fellow painter "little Napoleon of the Berlin artistic community"). In the following year, the State Prize (also known as the "Rome Prize" because it included a three-month stay in the eternal city) enabled Pechstein to travel extensively, taking him not only to Rome but also to Florence and Ravenna. He subsequently visited Paris, where he discovered the works of Cézanne, Gauguin and Matisse in particular. Both the southern Italian sun and his encounter with the French Post-Impressionists left their mark on his work "Riverscape". Original: around 1907, oil on canvas, 53 x 68 cm, Museum Folkwang, Essen. Edition transferred directly onto artist's canvas using the Fine Art Giclée process and stretched onto a stretcher frame. Limited edition of 199 copies, numbered, with certificate. Framed in handmade, black and golden solid wood frame. Size 56.5 x 70.5 cm (h/w). ars mundi Exclusive Edition. © Museum Folkwang Essen - ARTOTHEK. © 2022 Pechstein Hamburg / Preetz. 661.51 ars mundi Exclusive Edition | limited, 199 copies | numbered | certificate | reproduction, Giclée print on canvas | on stretcher frame | framed | size 56.5 x 70.5 cm (h/w) https://www.arsmundi.de/media/0a/8d/98/1676363516/922524_2.jpg?ts=1782825832 https://www.arsmundi.de/media/bb/5f/ea/1689058626/922524_3.jpg?ts=1782825832