Max Pechstein:
Picture "The Cloud, Chiemsee" (1947), black and silver-coloured framed version
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Picture "The Cloud, Chiemsee" (1947), black and silver-coloured framed version
Max Pechstein:
Picture "The Cloud, Chiemsee" (1947), black and silver-coloured framed version

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ars mundi Exclusive Edition | limited, 199 copies | numbered certificate | reproduction, Giclée print on handmade paper | framed | passe-partout | glazed | size 49 x 59 cm (h/w)

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Picture "The Cloud, Chiemsee" (1947), black and silver-coloured framed version
Max Pechstein: Picture "The Cloud, Chiemsee" (1947), blac...

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Picture "The Cloud, Chiemsee" (1947), black and silver-coloured framed version

Max Pechstein is considered among the most significant German artists. After the end of the Second World War, he became a professor at the Hochschule für Bildende Künste in Berlin and experienced numerous exhibitions and honours in his last decade of life both domestically and internationally. His life was eventful, yet marked by constants, such as his artistically extremely productive travels, particularly to the Baltic Sea, where many of his best-known works were created.

Another constant in Pechstein's work is the motif of the sun, which played a central role throughout his life. This is evident in his late work, where, as seen here at Lake Chiemsee, it bathes a cloud in rich colours.
Original: 1947, watercolour on paper, 50 x 65 cm, privately owned.

High-quality edition in Fine Art Giclée print on handmade paper by Hahnemühle. Limited edition of 199 copies, with numbered certificate. Framed in a black and silver-coloured solid wood frame with passe-partout, glazed. Size 49 x 59 cm (h/w). ars mundi Exclusive Edition. © 2024 Pechstein Hamburg/Berlin.

Portrait of the artist Max Pechstein

About Max Pechstein

1881-1955

Max Pechstein is considered today, as he was then, one of the most important representatives of German Expressionism. In spring 1906, he joined the artists' group "Die Brücke", which had been founded the previous year by Kirchner, Heckel, Schmidt-Rottluff and Bleyl. In the field of graphic art, he produced an oeuvre of over 850 woodcuts, lithographs and etchings in addition to his paintings.

What Tahiti was to Paul Gauguin, the Baltic Sea coast was to Max Pechstein: a paradise where he found peace, but above all great inspiration. From 1909 onwards, he travelled several times to Nidden on the Curonian Spit, where Lovis Corinth had worked as a young art student more than a quarter of a century earlier. However, when the Treaty of Versailles placed the Curonian Spit under Allied administration in 1920, the way there was blocked. In his own words, Pechstein had to "once again go in search of a spot of earth that was not overrun by painters, tourists and bathers". He found it in Leba, where from then on he spent his summers on a regular basis.

"For more than twenty years Max Pechstein went to the Baltic coast every summer, first to the Curonian Spit, then to Pomerania, which naturally connected him closely to our house. When he rented a room here with his first wife in 1921, he had no idea how attached he would soon feel to the small harbour town of Leba, for he fell in love with Marta Möller, the daughter of his innkeeper. The pristine nature with its beach lakes and the fishing boats in the harbour, the pipe in his mouth, tanned and the anchor tattooed, those things stayed with the passionate angler Pechstein until the end of his life, even when he and his wife could no longer go to Pomerania after the Second World War." (Dr. Birte Frenssen, Deputy Director at the Pomeranian State Museum in Greifswald)

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