Monika Taffet:
Picture "Afternoon Stroll" (2013) (Original / Unique piece), framed
Proportional view
Picture "Afternoon Stroll" (2013) (Original / Unique piece), framed
Monika Taffet:
Picture "Afternoon Stroll" (2013) (Original / Unique piece), framed

Quick info

original painting | signed | oil and acrylic on canvas | on stretcher frame | framed | size 45 x 55 cm (h/w)

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Product no. IN-886866.R1

Delivery time: approx. 2 weeks

Picture "Afternoon Stroll" (2013) (Original / Unique piece), framed
Monika Taffet: Picture "Afternoon Stroll" (2013) (Origina...

Detailed description

Picture "Afternoon Stroll" (2013) (Original / Unique piece), framed

The painter Monika Taffet lends her landscapes a unique atmosphere through relief-like structures. She applies the oil and acrylic paints in layers that are sometimes several centimetres thick, creating a three-dimensional picture surface on the canvas. Within these rich layers of impasto, Taffet blurs all the contours and details of the objects - similar to Impressionist painting. The pictorial impression of colour, light and spatial depth makes Taffet's painting an exciting and at the same time, sensual experience.

Original painting 2013, signed. Oil and acrylic on canvas, stretched on a stretcher frame. Framed in a white solid wood shadow gap frame. Size 45 x 55 cm (h/w).

About Monika Taffet

The impasto oil paintings of Monika Taffet, born in 1968 in Transylvania (formerly Hungary; today Romania), show influences of traditional genres such as still life and landscape painting. The artist with Hungarian-German roots attended an art high school before moving to Germany in 1986. There she studied at the Hochschule der Künste in Berlin under Professor Klaus. In 1996, she even became a master student.

She is a plein air painter and creates all her paintings in nature. Only finishing touches are applied in the studio. She mainly uses oil paints, which she packs and layers on the painting surface. The results are relief-like structures that make the liveliness of the leaves and grasses in the wind and the waves breaking over the edge of the picture perceptible. However, the background colour is applied comparatively thinly, which makes the vegetation in the foreground of the picture stand out even more so that her works become almost three-dimensional.

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