Quick info
acrylic | size 24 x 19 x 8 cm (h/w/d)
Detailed description
Vase "Piet Mondrian" (without decoration) - MoMA Collection
This vase can be used both ways: upright or horizontally. With or without flowers - this vase will always be a decorative eye-catcher. After Piet Mondrian. 100% acrylic. Size 24 x 19 x 8 cm (h/w/d). Without content.
Producer: ars mundi Edition Max Büchner GmbH, Bödekerstraße 13, 30161 Hanover, Germany, [email protected]
Customer reviews
Wunderschöne Vase. Ich besitze diese Vase schon seit vielen Jahren und freue mich täglich daran. Sie ist absolut zeitlos. Jetzt habe ich sie zum Verschenken bestellt und damit eine große Freude bereitet. Die Lieferung war superschnell, alles hat perfekt geklappt. Dankeschön!
Die Vase ist sehr arvantgadistisch.
Wunderschönes Objekt, gut und sicher eingepackt.
Vielen dank auch für den schönen Kalender den ich per Post erhalten habe! Fröhliches und gutes Jahr für euch.
Schick und stylisch
Eine wunderschöne Vase, ein echter Hingucker!
Zügige Lieferung, sehr schönes, dekoratives Objekt, einfach wunderschön.
In Glas wäre sie wirklich sehr wertvoll
Blickfang, sehr ansprechend.
About Piet Mondrian
1872-1944
It is hard to imagine that Piet Mondrian's strictly geometric compositions had their origins in painterly, filigree landscape studies. At the age of 20, as a student of the Art Academy in Amsterdam, he was drawn to Impressionism. In the neutral Netherlands, he was spared the turmoil of the First World War for a long time and was able to follow his inspiration and theosophical studies. There the first Fauvist and Neo-Impressionist elements appeared in his paintings.
In Paris, which he visited for the first time in 1912, he took part in several "Salons des Indépendants", where he was influenced by the cubism of Georges Braque and Pablo Picasso. Mondrian for example reduced the lines of a tree until the form of the tree is barely discernable and black, orthogonal bars divided the picture surface and becomes secondary to the overall composition of vertical and horizontal lines, he filled the spaces in between with white and primary colours.
Because of his profound knowledge of abstraction, he co-founded the painter, designer and architect group "De Stijl" in 1917 - the Dutch counterpart to the German group "Bauhaus". In his paintings, everything should be in balance, the depth effect should disappear so that "pure reality" remains.
Mondrian's visionary style left clear traces in art, design and architecture, also in New York, where the artist finally emigrated in 1940.
