Quick info
reproduction | float glass | wall mount and spacer | suspension device | size 30 x 30 cm
Detailed description
Wall object "Clematis", glass - after Louis C. Tiffany
This picture reproduced on glass is a romance of lushly curved lines and floral ornaments with a blaze of colours typical of Art Nouveau, which retains its radiant expressiveness for a long time thanks to a special manufacturing technique. This work of art includes wall suspension and 12 mm spacers, including a suspension device.
Original: Sotheby's London.
High-quality reproduction on float glass. Size 30 x 30 cm.
Producer: ars mundi Edition Max Büchner GmbH, Bödekerstraße 13, 30161 Hanover, Germany, [email protected]
Customer reviews
Einfach schön anzusehen. 4 Sterne nur, weil die Ausfühirung 30 x 30 cm etwas zu klein scheint.
Wunderschön
Einfach toll anzuschauen
Obwohl sehr schön gefertigt, entsprach das Glasfenster nicht meiner Vorstellung, da es nicht transparent ist. Ich habe es daher zurückgeschickt. Die Rückgabe war problemlos, Erstattung erfolgte umgehend. Vielen Dank!
About Louis C. Tiffany
1848-1933 – American glass artist and painter
Art Nouveau lovers are transported by Tiffany's works into a world of graceful elegance through floral motifs, flowing forms and colourful iridescent glass.
The painter and glass artist Louis Comfort Tiffany, who was born in 1848 in New York, developed a special process for the production of the fragile material, which became known as "Tiffany Favrile glass" from 1894. The addition of metallic salts and resin solutions creates the lustrous effect of the blue-green or silvery-violet iridescent decoration running in irregular waves.
At the Paris World's Fair of 1900, he presented his luminous objects, which are today referred to as Tiffany lamps. Different coloured glass, artistically designed bronze bases and sensually erotic figures turn these utilitarian objects into works of art with a special appeal. The stemware in the form of flower calyxes, his bulbous vases, but also the famous stained glass windows bears witness to a great variety of colours and forms. The philosophical stylistic principle of the Fin de Siècle, which is combining nature and art, finds its richest execution in Tiffany's objects.
Typical of the turn of the century was the artists' endeavour to create so-called Gesamtkunstwerke (lit.: total artwork). The creative activities concerned all areas of life up to and including jewellery. This area was opened up by the son of the jewellery artist Charles Lewis Tiffany when he took over his father's jewellery business after his death in 1902. Tiffany died in New York in 1933 at the age of 84.
The term Art Nouveau, or the German term Jugendstil (lit.: "Youth Style"), is the art epoch between 1890-1910. The name originates from the Munich-based magazine "Jugend" (Youth), founded in 1896. It was the German counterpart of Art Nouveau (France), internationally known as Modern Style (England) or Secession (Austria).
Art Nouveau spread across Europe, resulting in innumerable works, ranging from painting and applied arts to architecture. One of the requirements of Art Nouveau was the artistic design of everyday objects, aiming to merge beauty with practicality. The desired unity of the artistic ability could only be achieved through individually influenced design, making Art Nouveau a precursor of modernism. The defining characteristic of Art Nouveau is its linear, often asymmetrical ornamentation. The models are particularly taken from nature and flora.
Major Art Nouveau centres were formed in Munich, Darmstadt, Brussels, Paris and Nancy (Glass Art by Emile Gallé). The Viennese architecture of that time was determined by Otto Wagner and J. Hoffmann. Gustav Klimt created paintings that gave sensual shape to the spirit of Art Nouveau.